MARC details
| 000 -LEADER |
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| campo de control de longitud fija |
04201cam a2200337 a 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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| campo de control |
BJBSDDR |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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| campo de control |
20230411090106.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
ta |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
111209s2012 ne a b 001 0 eng |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780240817552 |
| 035 ## - NÚMERO DE CONTROL DEL SISTEMA |
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| Número de control de sistema |
(OCoLC)ocn768335660 |
| 040 ## - FUENTE DE CATALOGACIÓN |
|---|
| Centro catalogador/agencia de origen |
DLC |
| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
DLC |
| 041 ## - CÓDIGO DE IDIOMA |
|---|
| Código de lengua del texto/banda sonora o título independiente |
spa |
| 042 ## - CÓDIGO DE AUTENTICACIÓN |
|---|
| Código de autenticación |
pcc |
| 050 00 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
|---|
| Número de clasificación |
PN 1995.9 |
| Número de ítem |
P252i 2012 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
|---|
| Número de clasificación |
384 |
| Número de edición |
23 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Parks, Stacey. |
| 245 14 - MENCIÓN DEL TÍTULO |
|---|
| Título |
The insider's guide to independent film distribution / |
| Mención de responsabilidad, etc. |
Stacey Parks. |
| 250 ## - MENCION DE EDICION |
|---|
| Mención de edición |
2nd ed. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
|---|
| Lugar de publicación, distribución, etc. |
Amsterdam ; |
| -- |
Boston : |
| Nombre del editor, distribuidor, etc. |
Elsevier/Focal Press, |
| Fecha de publicación, distribución, etc. |
2012. |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
xi, 156 p. : |
| Otras características físicas |
ill. ; |
| Dimensiones |
23 cm. |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
|---|
| Nota de bibliografía, etc. |
Includes bibliographical references and index. |
| 505 ## - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
I. IntroductionII. State of the Market: A Reality CheckAdd a brief history of film distributionAdd interview with Dylan Leiner of Sony Pictures Classics (or comparable source) on how the U.S theatrical market has changed over the last 5-10 years.III. Before you start Production: Getting a leg-up on Distributiona. Getting in touch with the market: Doing Market Researchb. The importance of genre and formatc. Casting for distributiond. Financing options - to include domestic and foreign pre-sales, private investors, completing a business plan, etc.Add interview with Packaging agent from William Morris AgencySuggested Exercises: (will add in 3-5 suggested exercises to appeal to academic market)IV. Production Geared Towards Distributiona. Shooting digital vs. Filmb. The importance of stillsc. Starting publicity during production: blogs, production diaries, hiring an PR agent, etc.Interview with Michael Baker, head of Acquisitions and Development for Think FilmSuggested Exercises:V. Post-Production geared Towards Distributiona. M&E Tracksb. Trailersc. Musicd. Third party feedbackAdd short interview/blurbs from buyers and distributors on post-production elements and what they mean in terms of getting distribution.Suggested Exercises:VI. It's in the can, now what: Creating Your Distribution Strategya. Creating a campaignb. Applying to film festivals: what are the first tier, and second tier film festivalsc. Finding Producers Reps and Sales Agentsd. Navigating International Film and TV marketse. Should I have a Distributor screening for my film?Add interviews with Foreign Sales Agents in the UK and FranceSuggested Exercises:VII. Getting a Distribution deala. The U.S Distribution dealb. Foreign Sales and What to Expectc. Non-theatrical distribution and ancillary marketsd. Diagram/Table of expenses required to market and distribute an independent filmAdd in interviews/blurbs with filmmakers who were NOT successful getting distribution and what they would do differently.Suggested Exercises:VIII. Dealing with the Distributor After you get a Deala. Anatomy of a Distribution Contractb. How much will I make: Realistic Sales Projections for your filmc. When will I get paid? Typical cash flow situationsSuggested Exercises:IX. Alternatives to Traditional Distributiona. On Demand DVD distributionb. Video on Demand distributionc. Online film and television marketsd. Platform theatrical releaseInterview with Betsy Chasse 'What the Bleep Do We Know'Suggested Exercises:X. The future of Distribution a. How technology is changing DistributionXI. ConclusionInterview Stephen Winter 'Tarnation'Appendix A: Ten successful indies and what made them successfulAppendix B: Distribution Agency Guide (US and outside US)Appendix C: Anatomy of a Distribution AgreementAppendix D: Sales Projections per Territory |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
Innovation in technology means that almost anyone can make an independent film these days. This manual can help you learn how to sell your movie to a studio, a cable network, a video distributor, or an international buyer. It also looks at self-distribution and other alternatives to traditional distribution. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Motion pictures |
| Subdivisión general |
Marketing. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Motion pictures |
| Subdivisión general |
Distribution. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Motion pictures |
| Subdivisión general |
Production and direction. |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
