MARC details
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05189cam a2200409 i 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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BJBSDDR |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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| campo de control |
20230411090141.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
ta |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
190917s2017 ilu 001 0 eng c |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
|---|
| Número Internacional Estándar del Libro |
9780226299839 (cloth : alk. paper) |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780226299976 (paper : alk. paper) |
| 040 ## - FUENTE DE CATALOGACIÓN |
|---|
| Centro catalogador/agencia de origen |
ICU/DLC |
| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
ICU |
| 041 ## - CÓDIGO DE IDIOMA |
|---|
| Código de lengua del texto/banda sonora o título independiente |
spa |
| 042 ## - CÓDIGO DE AUTENTICACIÓN |
|---|
| Código de autenticación |
pcc |
| 050 00 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
|---|
| Número de clasificación |
PN 162 |
| Número de ítem |
W555 2017 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
|---|
| Número de clasificación |
808.02/7 |
| Número de edición |
23 |
| 245 00 - MENCIÓN DEL TÍTULO |
|---|
| Título |
What editors do : |
| Resto del título |
the art, craft, and business of book editing / |
| Mención de responsabilidad, etc. |
edited by Peter Ginna. |
| 264 #1 - PRODUCCIÓN, PUBLICACIÓN, DISTRIBUCIÓN, FABRICACIÓN Y COPYRIGHT |
|---|
| Producción, publicación, distribución, fabricación y copyright |
Chicago : |
| Nombre del de productor, editor, distribuidor, fabricante |
The University of Chicago Press, |
| Fecha de producción, publicación, distribución, fabricación o copyright |
2017. |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
310 pages ; |
| Dimensiones |
23 cm. |
| 336 ## - TIPO DE CONTENIDO |
|---|
| Término de tipo de contenido |
text |
| Fuente |
rdacontent |
| 337 ## - TIPO DE MEDIO |
|---|
| Nombre/término del tipo de medio |
unmediated |
| Fuente |
rdamedia |
| 338 ## - TIPO DE SOPORTE |
|---|
| Nombre/término del tipo de soporte |
volume |
| Fuente |
rdacarrier |
| 490 1# - MENCIÓN DE SERIE |
|---|
| Mención de serie |
Chicago guides to writing, editing, and publishing |
| 500 ## - NOTA GENERAL |
|---|
| Nota general |
Includes index. |
| 505 0# - NOTA DE CONTENIDO CON FORMATO |
|---|
| Nota de contenido con formato |
Introduction -- The three phases of editing -- Acquisition: finding the book. Where it all begins / by Peter Ginna -- The alchemy of acquisitions: twelve rules for trade editors / by Jonathan Karp ; Thinking like a scholarly editor: the how and why of academic publishing / by Gregory M. Britton ; The lords of disciplines: acquiring college textbooks / by Peter Coveney -- The editing process: from proposal to book. The book's journey / by Nancy S. Miller ; What love's got to do with it: the author-editor relationship / by Betsy Lerner ; The other side of the desk: what I learned about editing when I became a literary agent / by Susan Rabiner ; Open-heart surgery, or just a nip and tuck?: developmental editing / by Scott Norton -- This needs just a little work: on line editing / by George Witte ; Toward accuracy, clarity, and consistency: what copyeditors do / by Carol Fisher Saller -- Publication: bringing the book to the reader. The flip side of the pizza: the editor as manager / by Michael Pietsch ; Start spreading the news: the editor as evangelist / by Calvert D. Morgan Jr ; The half-open door: independent publishing and community / by Jeff Shotts -- From mystery to memoir: categories and case studies. Listening to the music: editing literary fiction / by Erika Goldman ; Dukes, deaths, and dragons: editing genre fiction / by Diana Gill -- Marginalia: on editing general nonfiction / by Matt Weiland ; Once upon a time lasts forever: editing books for children / by Nancy Siscoe ; Lives that matter: editing biography, autobiography, and memoir / by Wendy Wolf ; From monographs to magnum opuses: editing works of scholarship / by Susan Ferber ; Reliable sources: reference editing and publishing / by Anne Savarese ; The pink should be a surprise: creating illustrated books / by Deb Aaronson -- Pursuing a publishing career: varieties of editorial experience. Widening the gates: why publishing needs diversity / by Chris Jackson ; The apprentice: on being an editorial assistant / by Katie Henderson Adams ; This pencil for hire: making a career as a freelance editor / by Katharine O'Moore-Klopf ; The self-publisher as self-editor / by Arielle Eckstut and David Henry Sterry ; A new age of discovery: the editor's role in a changing publishing industry / by Jane Friedman -- Conclusion. As time goes by: the past and future of editing. |
| 520 ## - RESUMEN, ETC. |
|---|
| Sumario, etc. |
Editing is an invisible art where the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication.<br/><br/>In What Editors Do, Peter Ginna gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere.<br/><br/>Ironically for an industry built on words, there has been a scarcity of written guidance on how to actually approach the work of editing. This book will serve as a compendium of professional advice and will be a resource both for those entering the profession (or already in it) and for those outside publishing who seek an understanding of it. It sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text.<br/><br/>This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing. What Editors Do shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Editing. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Publishers and publishing. |
| 650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Edición. |
| 9 (RLIN) |
2306 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Editoriales |
| 9 (RLIN) |
8108 |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
|---|
| Nombre de persona |
Ginna, Peter, |
| Término indicativo de función/relación |
editor. |
| 9 (RLIN) |
8106 |
| 830 #0 - PUNTO DE ACCESO ADICIONAL DE SERIE-TÍTULO UNIFORME |
|---|
| Título uniforme |
Chicago guides to writing, editing, and publishing. |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) |
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| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
|---|
| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
| 946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
|---|
| Iniciales del agente catalogador |
LYD |
