MARC details
000 -LEADER |
campo de control de longitud fija |
04542 a2200301 4500 |
003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
campo de control |
BJBSDDR |
005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
campo de control |
20230411090642.0 |
007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
campo de control de longitud fija |
ta |
008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
campo de control de longitud fija |
270420s2003 mau||||| |||| 00| 0 eng d |
020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
Número Internacional Estándar del Libro |
9780205344048 |
020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
Número Internacional Estándar del Libro |
0205344046 |
040 ## - FUENTE DE CATALOGACIÓN |
Lengua de catalogación |
spa |
Centro/agencia transcriptor |
BJBSDDR |
041 ## - CÓDIGO DE IDIOMA |
Código de lengua del texto/banda sonora o título independiente |
eng |
050 14 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
Número de clasificación |
PN 1992.7 |
Número de ítem |
H995i 2003 |
082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
Número de clasificación |
808.2/25 |
100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
Nombre de persona |
Hyde, Stuart Wallace, |
Fechas asociadas al nombre |
1923- |
245 10 - MENCIÓN DEL TÍTULO |
Título |
Idea to script : |
Resto del título |
storytelling for today's media / |
Mención de responsabilidad, etc. |
Stuart Hyde |
260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
Lugar de publicación, distribución, etc. |
Boston, MA : |
Nombre del editor, distribuidor, etc. |
Allyn and Bacon, |
Fecha de publicación, distribución, etc. |
2003 |
300 ## - DESCRIPCIÓN FÍSICA |
Extensión |
xxiii, 392 pages : |
Otras características físicas |
illustrations ; |
Dimensiones |
24 cm |
504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
Nota de bibliografía, etc. |
Includes bibliographical references and index. |
505 ## - NOTA DE CONTENIDO CON FORMATO |
Nota de contenido con formato |
PART ONE. Introduction. What This Book Offers You.The Public Arts.The Electronic Media.Preparation for Scriptwriting.Writing as a Discipline.The Time Factor.Writing Under Restrictions.Writing as a Reflection of You.Aesthetics and Ethics.How to Get the Most from This Book.1. Beginnings and Overview. Some Questions for Writers.2. Understanding Your Audience. Public and Private Arts.Public Arts in the United States.The Origins of Public Art.How People Use the Public Arts.Analyzing the Public Arts.Schools of Criticism.3. Needs and Desires and the Public Arts. Forty Needs or Desires.4. Universal Themes in the Public Arts. How Concerns Become Themes in the Public Arts.5. Form in the Arts. The Storytelling Arts.Temporal Form.Temporal vs Spatial Form.Chronological Form of Stories.Chronological Form Documentaries.Logical or Thematic Form.Combination of Forms.Form in Radio and Television Scripts.6. Catharsis. Physiological Catharsis.Psychological Catharsis.Experiencing Catharsis.7. Modes in the Storytelling Arts. Forms in the Dramatic Arts.8. The Anatomy of Comedy. Release and Relief.Biological Instinct.Incongruity, the Incompatible Expectation.Psychoanalytic Theory and Sigmund Freud.9. Heroic Vision, Form, and Function. Origins of the Heroic Vision.The Changed View of Human Nature.Melodrama and Heroic Form.10. Tragic Drama Through the Ages. The Origin of Tragedy.Tragic Form and Function.Tragic Drama Today.PART TWO. 11. From Theories to Practice. A Public-Service Announcement Campaign: A Case History.Starting a Project.Using What Your Sleeping Mind Gives You.Before Writing Your First Draft.Writing Your First Draft.Writing Sights and Sounds, Not Words.Sounds.12. Script Formats and Notes About Scripts. Script Formats.Radio Script Formats.Radio Scripts.Television Script Formats.Script Formats for Television Dramas and Comedies.Notes About Scripts.13. Commercials. Determining the Parts and the Structure.The Introduction-Gaining Attention.The Structural Concept of "The Rule of Three."Narrative Commercials.Dialogue for Two or More Voices.Production Commercials-Music, Sound Effects, Voices.Writing Spots That Lack Logical Appeal.Television Commercials.Sample Television Scripts.14. Narrative Scripts. Essays and Commentaries.Station Editorials.Reviews.Impressions.15. Production Scripts: Reports, Essays, Sound Portraits, and Industrials. Feature Reports.Sound Portraits.Industrials.16. Writing Comedy. Attitudes.The Initial Concept.Plotting Comic Dramas.Comic Sketches.Character and Dialogue.17. Media in Community Service. Two Case Histories.Public Service Announcements (PSAs).A Case History: Producing a PSA.The Advertising Council.PSAs by Students.Appendix A: A Compendium of Scripts. Appendix B: Eighty Universal Themes. Appendix C: Arthur Miller's Tragedy and the Common Man. Bibliographies. |
520 ## - RESUMEN, ETC. |
Sumario, etc. |
Idea to Script: Storytelling for the Electronic Media explores how to conceive and write compelling stories for the electronic media. Idea to Script has a unique two-part structure: Part One lays the foundation for conceptualizing and writing effective scripts and Part Two focuses on the development of scripts from conception to execution. It examines the nature of comedy, melodrama and tragedy; it presents ways of structuring the incidents within stories to achieve maximum effectiveness; it introduces and illustrates the nature and importance of catharsis in the storytelling arts; it presents a vast number of universal themes that have marked the most successful stories of all time; and it asks students to direct their stories to the needs, desires, fears and hopes of their audiences. For anyone interested in launching a successful career in the media. |
650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
9 (RLIN) |
9229 |
Término de materia o nombre geográfico como elemento de entrada |
Autoría en televisión |
650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
9 (RLIN) |
15785 |
Término de materia o nombre geográfico como elemento de entrada |
Autoría en radio |
650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
9 (RLIN) |
2304 |
Término de materia o nombre geográfico como elemento de entrada |
Escritura creativa |
942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
Tipo de ítem Koha |
Libro |
946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
Iniciales del agente catalogador |
dpf |