MARC details
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04461 a2200241 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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BJBSDDR |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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20230411090656.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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ta |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
180820b2017 nyu||||| |||| 00| 0 eng d |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9781942952435 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Lengua de catalogación |
spa |
| Centro/agencia transcriptor |
BJBSDDR |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 050 ## - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
PN 3166 |
| Número de ítem |
F911i 2017 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Friedman, Budd, |
| Fechas asociadas al nombre |
1932- |
| 245 14 - MENCIÓN DEL TÍTULO |
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| Título |
The Improv : |
| Resto del título |
an oral history of the comedy club that revolutionized stand-up/ |
| Mención de responsabilidad, etc. |
Budd Friedman; Tripp Whetsell |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
Dallas, TX : |
| Nombre del editor, distribuidor, etc. |
BenBella Books, |
| Fecha de publicación, distribución, etc. |
2017 |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
344 p.: |
| Otras características físicas |
ill.; |
| Dimensiones |
24 cm |
| 505 ## - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
Machine generated contents note: PART ONE --<br/>ch. 1 Growing Up Fatherless and Struggling to Find My Way --<br/>ch. 2 Broadway Bound and the Unexpected Detour --<br/>ch. 3 Building the House That Built Hilarity --<br/>ch. 4 Flying by the Seat of My Pants --<br/>ch. 5 The Improv Gets Hot --<br/>ch. 6 A Future Film Legend Wanders into West 44th Street and I Nearly Produce My First Show --<br/>ch. 7 The Singing Waitresses --<br/>ch. 8 Liza Minnelli and Judy Garland ... Onstage at the Improv --<br/>ch. 9 Not So Blown Away by Bette Midler ... at First --<br/>ch. 10 Comedians Start Coming to the Improv --<br/>ch. 11 The Anointment of King Richard --<br/>PART TWO --<br/>ch. 12 Revelry and Rivalry --<br/>ch. 13 Stiller and Meara --<br/>ch. 14 More Momentum, My Monocle --<br/>and Lily Tomlin's Grand Entrance --<br/>ch. 15 The One and Only Rodney Dangerfield --<br/>ch. 16 Robert Klein Elevates Stand-Up --<br/>and the Improv --<br/>to a New Level --<br/>ch. 17 Locking Horns with David Brenner --<br/>ch. 18 Richard Lewis --<br/>ch. 19 The Hippest Room in America Note continued: ch. 20 The Improv's Gentle Giant --<br/>ch. 21 The Improv and The Tonight Show --<br/>ch. 22 A Tale of Two Comedy Clubs --<br/>ch. 23 Meeting Jay --<br/>ch. 24 Producing My First Show --<br/>PART THREE --<br/>ch. 25 Expansion --<br/>ch. 26 My Early California Adventures --<br/>ch. 27 Andy Kaufman Turns Stand-Up Upside Down --<br/>ch. 28 Dissing Larry David --<br/>ch. 29 A Tsunami Named Robin --<br/>ch. 30 Comedy's Tragic Prinze --<br/>ch. 31 A Troubling Nemesis Named Mitzi Shore --<br/>ch. 32 Going Up in Flames --<br/>ch. 33 Old Enemies and New Beginnings --<br/>PART FOUR --<br/>ch. 34 An Evening at the Improv --<br/>ch. 35 The Improv Explodes ... and the Stakes Get Even Higher --<br/>ch. 36 The Comedy Boom Busts and Finding Fallon --<br/>ch. 37 Passing the Baton and Looking Ahead: The Early 2000s to the Present. |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
"Have you heard the one about the aspiring Broadway producer who bought a closed restaurant and changed the course of American comedy? It's no joke-his name is Budd Friedman, and his legendary club helped shape the stand-up comedy that is still a staple of entertainment today. From the microphone to the iconic brick wall, the Improv has been the launching pad of the nation's most talented comedians. By providing a stage for them to riff on everything from race and religion to politics and sex, the Improv not only generated legions of comedy fans, it reinvented the art form by overturning the comedy traditions of the Borscht Belt. Budd Friedman's legendary comedy club wasn't the first to feature comedians, but it was the first of its kind to present comedians in a continuous format, and the first one to give unknown performers the opportunity to try out new material in front of a live audience-with the opportunity to be discovered by talent agents and late-night TV bookers. The Improv is an oral history of the most important comedy club in America, emceed by Budd Friedman himself, and featuring in-depth interviews with some of the most important names in comedy -including Jay Leno, Michael Keaton, Bill Maher, Larry David, Larry Miller, Jeff Garland, Jerry Stiller, Kevin Nealon, Gilbert Gottfried, Joe Piscopo, Tim Reid, Will Shriner, Roseanne Barr, Judd Apatow, Robert Klein, Richard Lewis, Leslie Moonves, Howie Mandel, Bill Engvall, Lily Tomlin, Rick Newman, Norman Lear, Billy Crystal, Alan Zweibel, Dick Cavett, Fred Willard, Jimmie Walker, David Steinberg, and many more! The Improv gives readers an exclusive, insider look at what really happened on stage and off-mike. From the revelry and the rivalry to the smash hits, near misses, love affairs, show biz politics, chemical experimentation, exhilarating rises, tragic downfalls and just plain fun, The Improv features true insiders' accounts of a unique institution in America's cultural history and the man who unofficially provided the laugh track for an entire nation"-- |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
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| 9 (RLIN) |
12486 |
| Nombre de persona |
Whetsell, Tripp, |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
| 946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
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| Iniciales del agente catalogador |
dpf |
