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| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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860507s1986 nyu 000 0ceng |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
0195037588 |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780195037586 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
DLC |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 050 14 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
ML 395 |
| Número de ítem |
B192a 1986 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
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| Número de clasificación |
785.42 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Balliett, Whitney Lyon, |
| Fechas asociadas al nombre |
1926-2007 |
| 9 (RLIN) |
30124 |
| 245 10 - MENCIÓN DEL TÍTULO |
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| Título |
American musicians : |
| Resto del título |
fifty-six portraits in jazz / |
| Mención de responsabilidad, etc. |
Whitney Balliett. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
New York : |
| Nombre del editor, distribuidor, etc. |
Oxford University Press, |
| Fecha de publicación, distribución, etc. |
1986. |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
x, 415 pages ; |
| Dimensiones |
24 cm. |
| 500 ## - NOTA GENERAL |
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| Nota general |
A collection of essays originally appearing principally in the New Yorker. |
| 505 0# - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
Panassié, Delaunay et Cie (Hugues Pannassié and Charles Delaunay)<br/>For the comfort of the people (Joe "King" Oliver)<br/>Ferdinand la Menthe (Jelly Roll Morton)<br/>Le Grand Bechet (Sidney Bechet)<br/>The blues is a slow story (Henry "Red" Allen)<br/>New York drummers (Tommy Benford, Freddie Moore, Sonny Greer)<br/>Starting at the top (Jabbo Smith)<br/>Light everywhere (Adolphus "Doc" Cheatham)<br/>Fats (Fats Waller)<br/>Sunshine always opens out (Earl Hines)<br/>Out here again (Mary Lou Williams)<br/>Coleman Hawkins<br/>A good one-two (Jimmy McPartland)<br/>Davy Tough<br/>Even his feet look sad (Pee Wee Russell)<br/>More ingredients (Bobby Hackett)<br/>Hodes' blues (Art Hodes)<br/>Back from Valhalla (Jess Stacy)<br/>Big T (Jack Teagarden)<br/>Three tones (Vic Dickenson)<br/>Little jazz (Roy Eldridge)<br/>Big Sid (Sidney Catlett)<br/>The music is more important (Red Norvo)<br/>Art Tatum<br/>You must start well and you must end well (Stéphane Grappelli and Django Reinhardt)<br/>Demi-centennial (Joe Bushkin)<br/>Super-drummer (Buddy Rich)<br/>Pres (Lester Young)<br/>Like a family (Modern Jazz Quartet)<br/>Einfühling (Ellis Larkins)<br/>Being a genius (Erroll Garner)<br/>Zoot and Louise (Zoot Sims)<br/>The key of D is daffodil yellow (Marian McPartland)<br/>Super chops (Dave McKenna)<br/>The Westchester kids (Bob Wilber)<br/>Easier than working (Dick Wellstood)<br/>A day with the Duke (Duke Ellington)<br/>Mingus at peace (Charles Mingus)<br/>Joe Wilder<br/>The answer is yes (Jim Hall)<br/>Here and abroad (Art Farmer)<br/>Poet (Tommy Flanagan)<br/>A walk to the park (Elvin Jones)<br/>Ten levels (Lee Konitz)<br/>A true improviser (Warne Marsh)<br/>Good, careful melody (Michael Moore)<br/>A decent life (Gene Bertoncini)<br/>Ornette (Ornette Coleman)<br/>Cecil (Cecil Taylor) |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
This is Whitney Balliett's long-awaited "big book." In it are all the jazz profiles he has written for The New Yorker during the past 24 years. These include his famous early portraits of Pee Wee Russell, Red Allen, Earl Hines, and Mary Lou Williams, done when these giants were in full flower; his recent reconstructions of the lives of such legends as Art Tatum, Coleman Hawkins, Jack Teagarden, Zoot Sims, and Dave Tough; His quick but indelible glimpses into the daily (or nocturnal) lives of Duke Ellington and Charles Mingus; and his vivid pictures of such on-the-scene masters as Red Norvo, Ornette Coleman, Buddy Rich, Elvin Jones, Art Farmer, Michael Moore, and Tommy Flanagan. Also included are such lesser known but invaluable players as Art Hodes, Jabbo Smith, Joe Wilder, Warne Marsh, Gene Bertoncini, Joe Bushkin, and Marie Marcus. All these profiles make the reader feel, as one observer has pointed out, that he is "sitting with Balliett and his subject and listening in." The book can be taken as a kind of history of jazz, as well as a biographical encyclopedia of many of its most important performers. It can also be regarded as a model of American prose. Robert Dawidoff said of Whitney Balliett"s most recent book, Jelly Roll, Jabbo and Fats, that "few people write as well about anything as Balliett writes about jazz." And the late Philip Larkin wrote in 1982 of the "transcendence of Balliett's prose. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Jazz musicians |
| Subdivisión geográfica |
United States |
| Subdivisión general |
Biography. |
| 650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Músicos de jazz |
| Subdivisión geográfica |
Estados Unidos |
| Subdivisión de forma |
Biografías |
| 9 (RLIN) |
31983 |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
| 946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
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| Iniciales del agente catalogador |
lmm |
