Amazon cover image
Image from Amazon.com

Twilight zones : the hidden life of cultural images from Plato to O.J. / Susan Bordo.

By: Material type: TextTextPublication details: Berkeley : University of California Press, 1997.Description: x, 279 p. : ill. ; 24 cmISBN:
  • 0520211014 (alk. paper)
  • 9780520211018 (alk. paper)
  • 0520211022 (pbk.)
  • 9780520211025 (pbk.)
Subject(s): DDC classification:
  • 306 21
LOC classification:
  • E169.Z82 B729t 1997
Contents:
Braveheart, Babe, and the contemporary body. -- P.C., O.J., and truth. -- Never just pictures. -- Can a woman harass a man? -- Bringing body to theory. -- The feminist as other. -- Missing kitchens / with Bonnie Klein and Marilyn K. Silverman.
Summary: Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight - which explores the social and political underpinnings of women's obsession with bodily image - to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, Bordo argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Looking to the body and bodily practices as an arena in which cultural fantasies and anxieties are played out, Bordo examines the mystique and the reality of empowerment through cosmetic surgery. Her incisive analysis of sexual harassment in the Clarence Thomas/Anita Hill controversy, as well as in films such as Disclosure, challenges media-driven caricatures of sexuality. Bordo also sharply diagnoses the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. In a final powerful collaborative essay entitled "Missing Kitchens," Bordo and her sisters Binnie Klein and Marilyn Silverman explore notions of bodies, place, and space through a moving recreation of the topographies of their childhood.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Automatización y Procesos Técnicos Automatización y Procesos Técnicos (1er. Piso) E169.Z82 B729t 1997 (Browse shelf(Opens below)) 1 Available 00000075220

Includes bibliographical references (p. 243-256) and index.

Braveheart, Babe, and the contemporary body. -- P.C., O.J., and truth. -- Never just pictures. -- Can a woman harass a man? -- Bringing body to theory. -- The feminist as other. -- Missing kitchens / with Bonnie Klein and Marilyn K. Silverman.

Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight - which explores the social and political underpinnings of women's obsession with bodily image - to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, Bordo argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Looking to the body and bodily practices as an arena in which cultural fantasies and anxieties are played out, Bordo examines the mystique and the reality of empowerment through cosmetic surgery. Her incisive analysis of sexual harassment in the Clarence Thomas/Anita Hill controversy, as well as in films such as Disclosure, challenges media-driven caricatures of sexuality. Bordo also sharply diagnoses the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. In a final powerful collaborative essay entitled "Missing Kitchens," Bordo and her sisters Binnie Klein and Marilyn Silverman explore notions of bodies, place, and space through a moving recreation of the topographies of their childhood.

There are no comments on this title.

to post a comment.