Gods and monsters : thirty years of writing on film and culture from one of America's most incisive writers / Peter Biskind.
Material type:
- 1560255455
- 791.43 22
- PN 1993.5 B622g 2004
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Automatización y Procesos Técnicos (1er. Piso) | PN 1993.5 B622g 2004 (Browse shelf(Opens below)) | 1 | Available | 00000132536 |
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PN 1993 B583s 2011 A short history of Cahiers du cinéma / | PN 1993.5 A587h 1981 Hollywood Babylon / | PN 1993.5 A637 2016 Años audiovisuales : 40 años de audiovisuales en la Escuela de Comunicación Social de laUniversidad del Valle / | PN 1993.5 B622g 2004 Gods and monsters : thirty years of writing on film and culture from one of America's most incisive writers / | PN 1993.5 C574 2001 Cinema : year by year, 1894-2001. | PN 1993.5 E74 2013 La escena y la pantalla : cine contemporáneo y el retorno de lo real / | PN 1993.5 F919b 2018 The big picture : the fight for the future of movies / |
Peter Biskind authored two of the most talked about and read books of the last decade—Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-'n'-Roll Generation Saved Hollywood and its bestselling sequel Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. Gods and Monsters chronicles the cause and courses of Hollywood over the last three decades—the super freaks, lowlifes, charlatans and occasional geniuses who have left their bite mark on American culture, as refracted through the trajectory of Peter Biskind's career. The ghosts of McCarthyism and the blacklist haunt Gods and Monsters as do the casualties of the counterculture and the New Hollywood—the story of Sue Menges, the '70s "super-agent" whose career went mysteriously south, is extraordinarily poignant, as is the example of Terence Malick, whose light shone so brightly in the same period but then disappeared until 1997's The Thin Red Line. But at the heart of the book are the likes of Warren Beatty, Oliver Stone, Martin Scorsese, Robert Redford and Quentin Tarantino and uber-producers Don Simpson and Harvey Weinstein and their excess lifestyles, all of whom Biskind portrays in great Dickensian detail, charting how they have had a simultaneously strangulating and liberating effect on the industry.
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