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The death penalty in American cinema : criminality and retribution in Hollywood film / Yvonne Kozlovsky-Golan.

By: Material type: TextTextLanguage: English Series: Cinema and society series | Cinema and societyPublisher: London ; New York, NY : New York, NY : I.B. Tauris ; Distributed in the United States and Canada exclusively by Palgrave Macmillan, 2014Description: xxii, 265 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781780763330 (Cloth)
Subject(s): Genre/Form: DDC classification:
  • 791.436556
LOC classification:
  • PN 1995.9 K88d 2014
Contents:
Law, fiction and death -- The death penalty in the United States -- A cinemati window to problems concerning the death penalty -- Death becomes them: women on the gallows.
Summary: Killing as punishment in the USA, whether ordained by lynch mob or by the courts, reflects a paradox of the American nation: liberal, pluralistic, yet prone to lethal violence. This book examines the encounter between the legal history of the death penalty in America and its cinematic representations, through a comprehensive narrative and historical view of films dealing with this genre, from the silent era to the present. It addresses central issues including racial prejudice and attitudes towards the execution of women, and discusses how cinema has chosen to deal with them. It explores how such films as Michael Curtiz's 20,000 Years in Sing Sing and Fritz Lang's The Fury, Errol Morris's documentary The Thin Blue Line, John Singleton's Rosewood and Frank Darabont's death-row movie The Green Mile, have helped to shape real historical developments and public perceptions by bringing into sharper relief the legal, social and cultural tensions associated with capital punishment. In the process, Yvonne Kozlovksy-Golan provides the reader with a superb understanding of the complexities of the death penalty through US history.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995.9 K88d 2014 (Browse shelf(Opens below)) 1 Available 00000122387

Includes bibliographical references (pages 251-256) and index.

Law, fiction and death -- The death penalty in the United States -- A cinemati window to problems concerning the death penalty -- Death becomes them: women on the gallows.

Killing as punishment in the USA, whether ordained by lynch mob or by the courts, reflects a paradox of the American nation: liberal, pluralistic, yet prone to lethal violence. This book examines the encounter between the legal history of the death penalty in America and its cinematic representations, through a comprehensive narrative and historical view of films dealing with this genre, from the silent era to the present. It addresses central issues including racial prejudice and attitudes towards the execution of women, and discusses how cinema has chosen to deal with them. It explores how such films as Michael Curtiz's 20,000 Years in Sing Sing and Fritz Lang's The Fury, Errol Morris's documentary The Thin Blue Line, John Singleton's Rosewood and Frank Darabont's death-row movie The Green Mile, have helped to shape real historical developments and public perceptions by bringing into sharper relief the legal, social and cultural tensions associated with capital punishment. In the process, Yvonne Kozlovksy-Golan provides the reader with a superb understanding of the complexities of the death penalty through US history.

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