The death penalty in American cinema : criminality and retribution in Hollywood film / Yvonne Kozlovsky-Golan.
Material type:
- text
- unmediated
- volume
- 9781780763330 (Cloth)
- 791.436556
- PN 1995.9 K88d 2014
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.9 K88d 2014 (Browse shelf(Opens below)) | 1 | Available | 00000122387 |
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PN 1995.9 K41s 1990 The silent clowns / | PN 1995.9 K51i 2005 Introduction to media production : the path to digital media production / | PN 1995.9 K51m 2007 Manual de Producción Audiovisual Digital/ | PN 1995.9 K88d 2014 The death penalty in American cinema : criminality and retribution in Hollywood film / | PN 1995.9 K92c 2009 Cine y peronismo : el estado en escena / | PN 1995.9 L142c 2008 El cine en su época : una historia política del filme / | PN 1995.9 L155 2001 Ladies and gentlemen, boys and girls : gender in film at the end of the twentieth century / |
Includes bibliographical references (pages 251-256) and index.
Law, fiction and death -- The death penalty in the United States -- A cinemati window to problems concerning the death penalty -- Death becomes them: women on the gallows.
Killing as punishment in the USA, whether ordained by lynch mob or by the courts, reflects a paradox of the American nation: liberal, pluralistic, yet prone to lethal violence. This book examines the encounter between the legal history of the death penalty in America and its cinematic representations, through a comprehensive narrative and historical view of films dealing with this genre, from the silent era to the present. It addresses central issues including racial prejudice and attitudes towards the execution of women, and discusses how cinema has chosen to deal with them. It explores how such films as Michael Curtiz's 20,000 Years in Sing Sing and Fritz Lang's The Fury, Errol Morris's documentary The Thin Blue Line, John Singleton's Rosewood and Frank Darabont's death-row movie The Green Mile, have helped to shape real historical developments and public perceptions by bringing into sharper relief the legal, social and cultural tensions associated with capital punishment. In the process, Yvonne Kozlovksy-Golan provides the reader with a superb understanding of the complexities of the death penalty through US history.
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