New uses of Bourdieu in film and media studies / edited by Guy Austin.

Contributor(s):

Austin, Guy [editor.]

Material type: Text

TextLanguage: eng Publisher: New York : Berghahn Books, 2018Description: vi, 174 pages ; 24 cmContent type:

text

Media type:

unmediated

Carrier type:

volume

ISBN:

9781785338298 (paperback : alk. paper)
1785338293 (paperback : alk. paper)

Subject(s):

DDC classification:

791.43015 23

LOC classification:

PN 1994 N532 2018

Contents:

List of Tables and Figures Introduction: Bourdieu on Media and Film Chapter 1. Bourdieu, Field of Cultural Production and Cinema: Illumination and Blindspots Bridget Fowler Chapter 2. Bourdieu and Film Studies: Beyond the Taste Agenda Chris Cagle Chapter 3. Bourdieu and Images of Algerian Women's Emotional Habitus Sophie Belot Chapter 4. The Taste Database: Taste Distinctions in Online Film Eileen Culloty Chapter 5. Millennials Protest: Hipsters, Privilege, and Homological Obstruction Anthony P. McIntyre Chapter 6. A Bourdieuan Approach to Internet Studies: Rethinking Digital Practice Richenda Herzig Chapter 7. Obtain and Deploy: Mobile Media Technologies as Tools for Distinction and Capital Justin Battin Chapter 8. Weak (Cultural) Field: A Bourdieuian Approach to Social Media Antonio Di Stefano Index

Summary: French sociologist Pierre Bourdieu's work has been extremely influential, but has only intermittently been used to study cinema and new media. With topics ranging from photography to mobile technology, this collection demonstrates the enormous relevance that Bourdieu holds for the field of media studies.

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Copy number	Status	Date due	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1994 N532 2018 (Browse shelf(Opens below))	1	Available		00000144133

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Based on a symposium held at Newcastle University's Research Centre in Film and Digital Media in late 2012.

Includes bibliographical references and index.

French sociologist Pierre Bourdieu's work has been extremely influential, but has only intermittently been used to study cinema and new media. With topics ranging from photography to mobile technology, this collection demonstrates the enormous relevance that Bourdieu holds for the field of media studies.

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