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The novel after theory / Judith Ryan.

By: Material type: TextTextPublication details: New York : Columbia University Press, 2011.Description: viii, 260 p. ; 24 cmISBN:
  • 9780231157421 (cloth : alk. paper)
  • 9780231528160 (electronic)
Subject(s): DDC classification:
  • 809.3 22
LOC classification:
  • PN 3503 R988n 2011
Contents:
Introduction: Knowing theory -- Pt. 1. Theories of textuality -- The death of the author -- Structure, sign, and play -- Pt. 2. Psychological theories -- The mirror stage -- Women's time -- Pt. 3. Theories of society -- Systems of constraint -- Simulacra and simulation -- Lines of flight -- Conclusion: Talking back to theory.
Summary: Starting in the late twentieth century, novels began to incorporate literary theory in unexpected ways. Through allusion, parody, or implicit critique, theory formed an additional strand in narratives, raising questions about the nature of authorship and the practice of writing fiction. Overlooked by many scholars, this phenomenon casts new light on both the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a variety of audiences, enabling them to participate in the debates ove.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Automatización y Procesos Técnicos (1er. Piso) PN 3503 R988n 2011 (Browse shelf(Opens below)) 1 Available 00000138120

Includes bibliographical references and index.

Introduction: Knowing theory -- Pt. 1. Theories of textuality -- The death of the author -- Structure, sign, and play -- Pt. 2. Psychological theories -- The mirror stage -- Women's time -- Pt. 3. Theories of society -- Systems of constraint -- Simulacra and simulation -- Lines of flight -- Conclusion: Talking back to theory.

Starting in the late twentieth century, novels began to incorporate literary theory in unexpected ways. Through allusion, parody, or implicit critique, theory formed an additional strand in narratives, raising questions about the nature of authorship and the practice of writing fiction. Overlooked by many scholars, this phenomenon casts new light on both the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a variety of audiences, enabling them to participate in the debates ove.

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