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The world viewed : reflections on the ontology of film / Stanley Cavell.

By: Material type: TextTextLanguage: English Series: Harvard film studiesPublication details: Cambridge : Harvard University Press, 1979.Edition: Enlarged editionDescription: xxv, 253 p. ; 21 cmISBN:
  • 067496196X (pbk.)
  • 9780674961968 (pbk.)
Subject(s): DDC classification:
  • 791.43/01
LOC classification:
  • PN 1995 C378w 1979
Contents:
An autobiography of companions Sights and sounds Photograph and screen Audience, actor, and star Types; cycles as genres Ideals of origin Baudelaire and the myths of film The military man and the woman The dandy End of the myths The medium and the media of film The world as mortal: absolute age and youth The world as a whole: color Automatism Excursus: some modernist painting Exhibition and self-reference The camera's implication Assertion in techniques The acknowledgement of silence
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995 C378w 1979 (Browse shelf(Opens below)) 1 Available 00000163580
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1995 C338t 1999 Les theories du cinema depuis 1945 / PN 1995 C338t 2005 Teorías del cine : 1945-1990 / PN 1995 C338t 2008 Les théories du cinéma depuis 1945 / PN 1995 C378w 1979 The world viewed : reflections on the ontology of film / PN1995 .C396 2005 Cavell on film / PN 1995 C414c 2009 Cinéma et philosophie / PN 1995 C434 1985 The 1950s ; neo-realism, Hollywood, new wave /

Includes bibliographical references and index.

An autobiography of companions
Sights and sounds
Photograph and screen
Audience, actor, and star
Types; cycles as genres
Ideals of origin
Baudelaire and the myths of film
The military man and the woman
The dandy
End of the myths
The medium and the media of film
The world as mortal: absolute age and youth
The world as a whole: color
Automatism
Excursus: some modernist painting
Exhibition and self-reference
The camera's implication
Assertion in techniques
The acknowledgement of silence

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