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How not to write a novel : 200 mistakes to avoid at all costs if you ever want to get published / Howard Mittelmark y Sandra Newman.

By: Language: eng Publication details: London : Penguin, 2009.Description: 262 pages ; 22 cmISBN:
  • 9780141038544
Subject(s): LOC classification:
  • PN 3365 M685h 2009
Contents:
Plot -- Character -- Style: the basics -- Style: perspective and voice -- the world of the bad novel -- Special effects and novelty acts: do not try this at home -- How not to sell a novel.
Summary: There are many ways prospective authors routinely sabotage their own work. But why leave it to guesswork? Misstep by misstep, How Not to Write a Novel shows how you can ensure that your manuscript never rises above the level of unpublishable drivel; that your characters are unpleasant, dimensionless versions of yourself; that your plot is digressive, tedious and unconvincing; and that your style is reliant on mangled cliches and sesquipedalian malapropisms. Alternatively, you can use it to identify the most common mistakes, avoid them and actually write a book that works.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 3365 M685h 2009 (Browse shelf(Opens below)) 1 Available 00000170024

Originally published: New York: HarperCollins, 2008.

Includes index.

Plot -- Character -- Style: the basics -- Style: perspective and voice -- the world of the bad novel -- Special effects and novelty acts: do not try this at home -- How not to sell a novel.

There are many ways prospective authors routinely sabotage their own work. But why leave it to guesswork? Misstep by misstep, How Not to Write a Novel shows how you can ensure that your manuscript never rises above the level of unpublishable drivel; that your characters are unpleasant, dimensionless versions of yourself; that your plot is digressive, tedious and unconvincing; and that your style is reliant on mangled cliches and sesquipedalian malapropisms. Alternatively, you can use it to identify the most common mistakes, avoid them and actually write a book that works.

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