Emotional structure, creating the story beneath the plot : a guide for screenwriters / Peter Dunne.
Material type:
- 188495653X
- 9781884956539
- 808.2/3
- PN 1996 D923e 2007
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|---|---|
![]() |
Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1996 D923e 2007 (Browse shelf(Opens below)) | 1 | Available | 00000170187 |
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||
PN 1996 C957i 2014 Imágenes narradas : cómo hacer visible lo invisible en un guión de cine / | PN 1996 D175a 1995 Alternative scriptwriting / | PN 1996 D175a 2013 Alternative scriptwriting : beyond the Hollywood formula / | PN 1996 D923e 2007 Emotional structure, creating the story beneath the plot : a guide for screenwriters / | PN 1996 E23b 2014 Bases del cine : Guión / | PN 1996 E23s 2009 Scriptwriting / | PN 1996 E47n 2010 Now write! screenwriting : exercises by today's best writers and teachers / |
Includes index.
pt. 1. What writers write about and why
1. The writer's rulebook
2. Know your story, know your plot, know the difference
3. Character-driven plot or plot-driven character
4. Character and conscience
5. The four character levels
pt. 2. Structure : not necessarily a necessary evil
6. A three act structure overview
7. The case for brevity
8. Beginning at the end
9. Choosing an emotional opening
10. Connecting the beginning to the end
pt. 3. Emotional structure : the internal landscape
11. The journey through the middle
12. Creating the story's emotional environment
13. Barriers, roadblocks, broken legs, and old lovers
14. Connecting the internal and external themes
pt. 4. Building blocks : step-by-step construction
15. Card tricks
16. The one-liner becomes the two-liner
17. Creating an emotional outline
pt. 5. Writing the script
18. Writing the script: act one
19. Writing the scripts: act two, part one
20. Writing the script: act two, part two
21. Writing the script: act three
The fish never knows the water
25 films every screenwriter should study
There are no comments on this title.