We see each other : a Black, trans journey through TV and film / Tre'vell Anderson ; foreword by Angelica Ross.
Material type:
- text
- still image
- unmediated
- volume
- 1368081738
- 9781368081733
- Transgender people in motion pictures
- Gender nonconformity on television
- Black people in motion pictures
- Black people on television
- African Americans in motion pictures
- Afroamericanos en el cine
- African Americans on television
- Afroamericanos -- Televisión
- African American transgender people
- Motion pictures -- History
- Cine -- Historia
- 791.43/653 23
- PN 1995.9 A551w 2023
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|---|---|
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.9 A551w 2023 (Browse shelf(Opens below)) | 1 | Available | 00000174155 |
Includes bibliographical references (pages 223-225), filmographies, and index.
Transcestors in action: a primer -- Cross-dressed for success -- Possibility models -- Reality bites -- Laverne -- A tangerine girl -- The lavender expanses -- Live. Work. Pose. -- Masc for masc -- Beyond the binary.
"We See Each Other is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation. The films and television shows that Tre'vell covers include: Midnight In The Garden Of Good And Evil, Psycho, Holiday Heart, Boys Don't Cry, America's Next Top Model, Some Like It Hot, Survivor, Tangerine, Pose, RuPaul's Drag Race, and many more. Though there have been trans memoirs and histories, there has never been a book quite like this, nor is anyone more suited to write it than Tre'vell. 'I don't remember exactly when I was taught to hate myself,' says Tre'vell Anderson in We See Each Other's introduction. As the narrative unfolds, Tre'vell knits together the history of trans people on screen with stories of their life growing up and their formative experiences as a Black, trans journalist."--Front flap of cover.
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