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Poetry notebook : reflections on the intensity of language / Clive James.

By: Material type: TextTextLanguage: English Publisher: New York ; Liveright Publishing Corporation, a division of W. W. Norton & Company, 2016Description: xviii, 238 pages ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781631491429 (hardcover)
Subject(s): DDC classification:
  • 809.1 23
LOC classification:
  • PN 1136 J27p 2016
Contents:
pt. I. Notes on poetry-- Listening to the flavour-- Five favourite poetry books-- The arrow has not two points-- Meeting MacNeice-- Little low heavens-- On a second reading-- Poetry archive tour-- The necessary minimum-- A deeper consideration-- Product placement in modern poetry-- Technique's marginal centrality-- A stretch of verse-- The Donaghy negotiation-- There you come home-- Interior music-- pt. II. Other articles about poetry-- John Updike's poetic finality-- Stephen Edgar stays perfect-- Poetry heaven, election hell-- Les Murray's palatial new shed-- Talking to posterity: Peter Porter 1929-2010-- Elegance in overalls: the American pastoral of Christian Wiman-- Michael Longley blends in Spectator diary-- Building the sound of sense-- pt. III. Finale to a notebook-- Trumpets at sunset-- Provenance of chapters.
Summary: "The last ten years has unequivocally demonstrated that Clive James is far more than a mere talking head. Once known as one of the English-speaking world s most popular television personalities, James has gone on to be a celebrated essayist, translator, and poet. The appearance of Poetry Notebook, which distills his passion for poetry into one indispensable volume, further adds to our appreciation of a world-class intellectual and Renaissance man. Poetry Notebook examines the poems and legacies of a panorama of twentieth-century poets, from Hart Crane to Ezra Pound (a mad old amateur fascist with a panascopic grab bag), from Ted Hughes to Anne Sexton. Whether demanding that poetry be heard beyond the world of poetry or opining on his five favorite poetry books (Yeats, Frost, Auden, Wilbur, and Larkin), James captures the whole truth of life s transience in this unforgettably eloquent book on how to read and appreciate modern poetry".
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1136 J27p 2016 (Browse shelf(Opens below)) 1 Available 00000174704

Includes bibliographical references (pages [233]-238).

pt. I. Notes on poetry--
Listening to the flavour--
Five favourite poetry books--
The arrow has not two points--
Meeting MacNeice--
Little low heavens--
On a second reading--
Poetry archive tour--
The necessary minimum--
A deeper consideration--
Product placement in modern poetry--
Technique's marginal centrality--
A stretch of verse--
The Donaghy negotiation--
There you come home--
Interior music--
pt. II. Other articles about poetry--
John Updike's poetic finality--
Stephen Edgar stays perfect--
Poetry heaven, election hell--
Les Murray's palatial new shed--
Talking to posterity: Peter Porter 1929-2010--
Elegance in overalls: the American pastoral of Christian Wiman--
Michael Longley blends in
Spectator diary--
Building the sound of sense--
pt. III. Finale to a notebook--
Trumpets at sunset--
Provenance of chapters.

"The last ten years has unequivocally demonstrated that Clive James is far more than a mere talking head. Once known as one of the English-speaking world s most popular television personalities, James has gone on to be a celebrated essayist, translator, and poet. The appearance of Poetry Notebook, which distills his passion for poetry into one indispensable volume, further adds to our appreciation of a world-class intellectual and Renaissance man. Poetry Notebook examines the poems and legacies of a panorama of twentieth-century poets, from Hart Crane to Ezra Pound (a mad old amateur fascist with a panascopic grab bag), from Ted Hughes to Anne Sexton. Whether demanding that poetry be heard beyond the world of poetry or opining on his five favorite poetry books (Yeats, Frost, Auden, Wilbur, and Larkin), James captures the whole truth of life s transience in this unforgettably eloquent book on how to read and appreciate modern poetry".

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