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Why writing matters / Nicholas Delbanco.

By: Material type: TextTextLanguage: English Series: Why X matters | Why X mattersPublisher: New Haven ; London : Yale University Press, 2020Description: xix, 259 pages ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780300245974 (hardcover)
  • 0300245971 (hardcover)
Subject(s): Genre/Form: DDC classification:
  • 808.02
LOC classification:
  • PN 145 D344w 2020
Contents:
Teachers -- Imitation -- Five texts -- True or false -- Strategies in prose -- Originality -- More matter -- Students -- Addenda, Corrigenda.
Summary: In this new contribution to Yale University Press's Why X Matters series, a distinguished writer and scholar tackles central questions of the discipline of writing. Drawing on his own experience with mentors such as John Updike, John Gardner, and James Baldwin, and in turn having taught such rising stars as Jesmyn Ward, Delbanco looks in particular at questions of influence and the contradictory, simultaneous impulses toward imitation and originality. Part memoir, part literary history, and part analysis, this unique text will resonate with students, writers, writing teachers, and bibliophiles.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 145 D344w 2020 (Browse shelf(Opens below)) 1 Available 00000180894

Includes bibliographical references (pages 255-259).

Teachers -- Imitation -- Five texts -- True or false -- Strategies in prose -- Originality -- More matter -- Students -- Addenda, Corrigenda.

In this new contribution to Yale University Press's Why X Matters series, a distinguished writer and scholar tackles central questions of the discipline of writing. Drawing on his own experience with mentors such as John Updike, John Gardner, and James Baldwin, and in turn having taught such rising stars as Jesmyn Ward, Delbanco looks in particular at questions of influence and the contradictory, simultaneous impulses toward imitation and originality. Part memoir, part literary history, and part analysis, this unique text will resonate with students, writers, writing teachers, and bibliophiles.

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