Spanish film cultures : the making and unmaking of Spanish cinema / Núria Triana-Toribio.

By:

Triana Toribio, Núria

Contributor(s):

British Film Institute

Language: eng Series: Cultural histories of cinemaPublication details: London : Palgrave on behalf of the British Film Institute, 2016.Description: viii, 157 pages : illustrations ; 23 cmISBN:

9781844578214
1844578216

Subject(s):

Cine -- Historia -- España

LOC classification:

PN 1993.5 T821s 2016

Contents:

Introduction. Why academies? Film cultures Academicism : an authority over film cultures What does academicism want? When the Academia? The house is built of the stones that were available. The values and their origins Academic foundations The regime's long watch over cinema Policies and organisations for a European Spain By invitation only No free lunch. And the winner is ... The Academia's less public awards Engoyados Voyage to somewhere The big film prizes tell a story Where the tastes of audiences and academicians meet Galas Shaping the televisual spectacle from 2005 to 2011. Being different : Almodóvar and the Academia. The making of an outsider What kind of outsider is Almodóvar? Rogue males, 'bad' films and 'bad' loyalties : Santiago Segura and Álex de la Iglesia. The turn to genre When the winner does not take it all Case one : not fit for export and not fit for Goyas: Segura's Lethal crisis (2011) Case two : Academia vs. de la Iglesia and the internet. There is no such thing as a weak enemy. A severe case of cinephile anxiety The cinephile habitus Avant-garde vs. the national cinema Moments of disruption and anti-institutionalism : the case of La soledad (2007). Transatlantic Academia. What Hollywood wants ... and what it gets Tainted love : good things come from bad prizes A prize, compromise and contradictions Ideal Latin America Challenges for the Academia : the crossover Latin American film at the Goyas Hispanic transnational collaborative networks Epilogue

Summary: The past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Copy number	Status	Date due	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1993.5 T821s 2016 (Browse shelf(Opens below))	1	Available		00000183530

Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)

Previous			No cover image available					Next
Previous	PN 1993.5 T759l 2020 Lights, camera, sell : sales techniques for independent filmmakers /	PN 1993.5 T772d 2015 Del papel al plano : el proceso de la creación cinematográfica /	PN 1993.5 T821d 2013 De cine : aventuras y extravíos /	PN 1993.5 T821s 2016 Spanish film cultures : the making and unmaking of Spanish cinema /	PN 1993.5 T861m 2002 Les métiers du cinema /	PN 1993.5 T864s 2019 La sociedad en 35 mm : el cambio social a través del remake /	PN 1993.5 T875r 2009 Reinventing cinema : movies in the age of media convergence /	Next

Includes bibliographical references and index.

Introduction. Why academies?
Film cultures
Academicism : an authority over film cultures
What does academicism want?
When the Academia? The house is built of the stones that were available. The values and their origins
Academic foundations
The regime's long watch over cinema
Policies and organisations for a European Spain
By invitation only
No free lunch. And the winner is ... The Academia's less public awards
Engoyados
Voyage to somewhere
The big film prizes tell a story
Where the tastes of audiences and academicians meet
Galas
Shaping the televisual spectacle from 2005 to 2011. Being different : Almodóvar and the Academia. The making of an outsider
What kind of outsider is Almodóvar? Rogue males, 'bad' films and 'bad' loyalties : Santiago Segura and Álex de la Iglesia. The turn to genre
When the winner does not take it all
Case one : not fit for export and not fit for Goyas: Segura's Lethal crisis (2011)
Case two : Academia vs. de la Iglesia and the internet. There is no such thing as a weak enemy. A severe case of cinephile anxiety
The cinephile habitus
Avant-garde vs. the national cinema
Moments of disruption and anti-institutionalism : the case of La soledad (2007). Transatlantic Academia. What Hollywood wants ... and what it gets
Tainted love : good things come from bad prizes
A prize, compromise and contradictions
Ideal Latin America
Challenges for the Academia : the crossover Latin American film at the Goyas
Hispanic transnational collaborative networks
Epilogue

The past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.

There are no comments on this title.

to post a comment.