For the love of pleasure : women, movies, and culture in turn-of-the-century Chicago / Lauren Rabinovitz.
Material type:
- 9780813525341
- 0813525349
- Motion pictures and women
- Women in motion pictures
- Mujeres en el cine
- Mujeres en la industria cinematográfica
- Women -- Illinois -- Chicago -- Social conditions
- Popular culture -- Illinois -- Chicago -- History -- 19th century
- Popular culture -- Illinois -- Chicago -- History -- 20th century
- Cultura popular -- Historia -- Chicago (Illinois)
- Culture in motion pictures
- Cultura en el cine
- Chicago (Ill.) -- Social conditions
- Chicago (Estados Unidos) -- Condiciones sociales
- 791.43/082/0977311
- PN 1995.9 R116f 1998
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|---|---|
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.9 R116f 1998 (Browse shelf(Opens below)) | 1 | Available | 00000188857 |
Includes bibliographical references and indexes.
List of Illustrations Acknowledgments Introduction One: Women and Sightseeing Two: Movies and Their Places of Amusement Conclusion Notes Selected Bibliography General Index Film Index
The period from the 1880s until the 1920s saw the making of a consumer society, the inception of the technological, economic, and social landscape in which we currently live. Cinema played a key role in the changing urban landscape. For working-class women, it became a refuge from the factory. For middle-class women, it presented a new language of sexual danger and pleasure. Women found greater freedom in big cities, entering the workforce in record numbers and moving about unchaperoned in public spaces. Turn-of-the-century Chicago surpassed even New York as a proving ground for pleasure and education, attracting women workers at three times the national rate. Using Chicago as a model, Lauren Rabinovitz analyzes the rich interplay among demographic, visual, historical, and theoretical materials of the period. She skillfully links cinema theory and women's studies for a fuller understanding of cultural history. She also demonstrates how cinema dramatically affected social conventions, ultimately shaping modern codes of masculinity and feminity.
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