Writing tools : 50 essential strategies for every writer / Roy Peter Clark.
Material type:
- 9780316014984
- 0316014982
- 9780316014991 (pbk)
- 0316014990 (pbk)
- 808.042
- PN 145 C594w 2006
Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 145 C594w 2006 (Browse shelf(Opens below)) | 1 | 1 | Available | 00000068581 |
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PN 145 C319m 2000 A manual of writer's tricks / | PN 145 C343d 1989 Describir el escribir : cómo se aprende a escribir / | PN 145 C343d 2011 Describir el escribir : cómo se aprende a escribir / | PN 145 C594w 2006 Writing tools : 50 essential strategies for every writer / | PN 145 C678t 2014 The truth of memoir : how to write about yourself and others with honesty, emotion, and integrity / | PN 145 C732i 2013 An insider' guide to publishing/ historical perspectives on the publishing business, insights from agents y editors, tips for breaking in, new publishing alternatives. | PN 145 C841c 2011 The complete idiot's guide to writing a memoir / |
Includes index.
PART ONE: NUTS AND BOLTS: Begin sentences with subjects and verbs -- Order words for emphasis -- Activate your verbs -- Be passive-aggressive -- Watch those adverbs -- Take it easy on the -ings -- Fear not the long sentence -- Establish a pattern, then give it a twist -- Let punctuation control pace and space -- Cut big, then small -- PART TWO: SPECIAL EFFECTS: Prefer the simple over the technical -- Give key words their space -- Play with words, even in serious stories -- Get the name of the dog -- Pay attention to names -- Seek original images -- Riff on the creative language of others -- Set the pace with sentence length -- Vary the lengths of paragraphs -- Choose the number of elements with a purpose in mind -- Know when to back off and when to show off -- Climb up and down the ladder of abstraction -- Tune your voice -- PART THREE: BLUEPRINTS: Work from a plan -- Learn the difference between reports and stories -- Use dialogue as a form of action -- Reveal traits of character -- Put odd and interesting things next to each other -- Foreshadow dramatic events and powerful conclusions -- To generate suspense, use internal cliffhangers -- Build your work around a key question -- Place gold coins along the path -- Repeat, repeat, and repeat -- Write from different cinematic angles -- Report and write for scenes -- Mix narrative modes -- In short works, don't waste a syllable -- Prefer archetypes to stereotypes -- Write toward an ending -- PART FOUR: USEFUL HABITS: Draft a mission statement for your work -- Turn procrastination into rehearsal -- Do your homework well in advance -- Read for both form and content -- Save string -- Break long projects into parts -- Take an interest in all crafts that support your work -- Recruit your own support group -- Limit self-criticism in early drafts -- Learn from you critics -- Own the tools of your craft.
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