The film till now : a survey of world cinema / with an additional section by Richard Griffith
Material type:
- 791.4309
- PN 1993.5 R845f 1967
Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1993.5 R845f 1967 (Browse shelf(Opens below)) | 1 | 1 | Available | 00000116092 |
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Part One: The Actual -- The development of the film -- The various forms of cinema -- The American film -- The American film (continued) -- The American film (concluded) -- The Soviet film -- The German film -- The French film -- The British film -- Films from other countries -- Part Two: The Theoretical -- The aim of the film in general and in particular -- The preconception of dramatic content by scenario organization -- The methods of expression of dramatic content by film construction: The process of the visual cinema, The visual and the audible cinema -- Part Three: The Film Since Then -- The American film 1929-48: Subject and themes, Directors, writers and producers, Three independents: Chaplin, Disney, Flaherty -- The European cinema 1929-48: The French film, The British film, The Soviet Film, The German film, the Italian film, Films from other countries -- Appendices -- The production units of some outstanding films: Fiction films, Documentary films, Trick, cartoon, puppet and other kinds of specialized and experimental films. Glossary: Some terms used in the film industry, Technical terms used mainly in production, Terms in general use in the trade as a whole -- Selected book list: British and American, Foreign -- Extracts from a programme printed in connection with a memorial performance held of Carl Mayerʼs work, Scala Theatre, London, April 13, 1947 -- Epilogue 1948-1958 -- Countries Surveyed: -- United States, United Kingdom, France, Italy, Scandinavia (Sweden, Denmark, Finland, Norway), Other European countries (West Germany, Austria, Spain, Switzerland, Netherlands, Belgium, Greece, Yugoslavia), Soviet Union, Eastern Europe (Poland, East Germany, Czechoslovakia, Hungary), British Commonwealth (Canada, Australia, New Zealand, South Africa, Ceylon, Ghana, Malaya, Pakistan, India), Asia (Japan, China), Latin America (Mexico, Argentine, Puerto Rico) -- Concusion.
Review of cinema's beginnings with concentration on the few great film-making nations, America, Britain, France, Germany and Russia. Discussions also include new nations in the film like Japan and India.
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