The cinematic muse : critical studies in the history of French cinema / Allen Thiher.
Material type:
TextLanguage: English Publication details: Columbia : University of Missouri Press, 1979.Description: vi, 216 p., [8] leaves of plates : ill. ; 23 cmISBN: - 0826202772
- 791.43
- PN 1993.5 T439c 1979
| Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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Libro
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1993.5 T439c 1979 (Browse shelf(Opens below)) | 1 | Available | 00000120260 |
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| PN 1993.5 T339c 2009 Le cinéma japonais / | PN 1993.5 T355 1998 Textos y manifiestos del cine : estética, escuelas, movimientos, disciplinas, innovaciones / | PN 1993.5 T355 2007 Textos y manifiestos del cine : estética, escuelas, movimientos, disciplinas, innovaciones / | PN 1993.5 T439c 1979 The cinematic muse : critical studies in the history of French cinema / | PN 1993.5 T468e 2014 The $11 billion year : from Sundance to the Oscars, an inside look at the changing Hollywood system / | PN 1993.5 T473f 1994 Film history : an introduction / | PN 1993.5 T473f 2003 Film history : an introduction / |
Includes index.
Bibliography: p. 207-214.
[1.] The avant-garde: The impressionist avant-garde -- Surrealism's enduring bite: Un Chien andalou -- The surrealist film: Man Ray and the limits of metaphor -- Le Sang d'un Poéte: film as orphism -- [2.] In the wake of surrealism: From Entr'acte to a Nous la Liberté: René Clair and the order of farce -- Vigo's Zéro de conduite: surrealism and the myth of childhood -- [3.] Film and society: Jean Renoir and the mimesis of history -- Prévert and Carné's Le Jour se lève: proletarian tragedy -- [4.] Existentialist moment: Bresson's Un condamné à mort: the semiotics of grace -- The existential play in Truffaut's early films -- [5.] Postmodernism: L'Année dernière a Marienbad: the narration of narration -- Postmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle -- Afterword: Is film a language?
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