Cinephilia in the age of digital reproduction / edited by Scott Balcerzak & Jason Sperb.

Contributor(s): Material type: TextTextLanguage: English Publication details: London ; New York : Wallflower Press, 2009.Description: Volume <1-> : illustrations ; 24 cmISBN:
  • 9781905674831 (t.1)
  • 190567483X (t.1)
  • 9781905674848
  • 1905674848
Subject(s): DDC classification:
  • 791
LOC classification:
  • PN 1994 C574 2009
Contents:
vol. 1: Film, pleasure and digital culture
Summary: Much has shifted since the emergence of the first volume of 'Cinephilia in the Age of Digital Reproduction'. Many of the postmillennial innovations in digital cinema and digital culture which prompted its publication have today become commonplace to the point of invisibility. This development ironically evokes memories of the classic Hollywood continuity system, a structure designed to close off space for the discussion of politics, identity or history. Thus, the original contributions in this new volume seek to illuminate those larger historical and global contexts which the emergence of digital cinema highlights in the process of its erasure.
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1994 C574 2009 (Browse shelf(Opens below)) v.1 1 Available 00000083490

Includes bibliographical references and index.

vol. 1: Film, pleasure and digital culture

Much has shifted since the emergence of the first volume of 'Cinephilia in the Age of Digital Reproduction'. Many of the postmillennial innovations in digital cinema and digital culture which prompted its publication have today become commonplace to the point of invisibility. This development ironically evokes memories of the classic Hollywood continuity system, a structure designed to close off space for the discussion of politics, identity or history. Thus, the original contributions in this new volume seek to illuminate those larger historical and global contexts which the emergence of digital cinema highlights in the process of its erasure.

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