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The film form : essays in film / by Sergei M. Eisenstein ; transl. and ed. by Jay Leyda.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Russian Series: A Harvest/HBJ BookPublication details: New York ; London : Harcourt Brace Jovanovich, [1949]Description: xi, 279 p. : ill. ; 21 cmISBN:
  • 0156309203
  • 9780156309202
Subject(s): DDC classification:
  • 791.43
LOC classification:
  • PN 1995 E36f 1949
Contents:
Through theater to cinema -- The unexpected -- The cinematographic principle and the ideogram -- A dialectic approach to film form -- The filmic fourth dimension -- Methods of montage -- A course in treatment -- Film language -- Film form : New problems -- The structure of the film -- Achievement -- Dickens, Griffith, and the film today -- A statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov -- Notes from a director's laboratory.
Summary: "Film form draws together twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium ... "--Page 4 de la couverture.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995 E36f 1949 (Browse shelf(Opens below)) 1 Available 00000029054
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1995 E23l 2015 The language of film / PN 1995 E34c 1978 Cineliteracy : film among the arts / PN 1995 E36f 1943 The film sense / PN 1995 E36f 1949 The film form : essays in film / PN1995 E36f 2006 La forma del cine / PN 1995 E36s 2006 El sentido del cine / PN 1995 E37b 2013 The best film you've never seen : 35 directors champion the forgotten or critically savaged movies they love/

Through theater to cinema --
The unexpected --
The cinematographic principle and the ideogram --
A dialectic approach to film form --
The filmic fourth dimension --
Methods of montage --
A course in treatment --
Film language --
Film form : New problems --
The structure of the film --
Achievement --
Dickens, Griffith, and the film today --
A statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov --
Notes from a director's laboratory.

"Film form draws together twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium ... "--Page 4 de la couverture.

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