100 ideas that changed film / David Parkinson.
Material type:
- 9781856697934
- 1856697932
- One hundred ideas that changed film
- Hundred ideas that changed film
- 791.43
- PN 1997.8 P247o 2012
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1997.8 P247o 2012 (Browse shelf(Opens below)) | 1 | Available | 00000109047 |
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PN 1997.8 G946 2009 Le guide du cinema : 15000 films áa voir, tele, video, DVD / | PN 1997.8 M479c 2007 Le court métrage / | PN 1997.8 M918 2016 Motivos visuales del cine / | PN 1997.8 P247o 2012 100 ideas that changed film / | PN 1997.8 T468h 2008 Have you seen? : a personal introduction to 1,000 films / | PN 1997.85 A939 2008 Authorship in film adaptation / | PN 1997.85 C846a 2020 Adapter un livre pour le cinéma et la télévision : de l'oeuvre originale au scénario: roman, théâtre, biographie, BD / |
Formerly CIP. Uk
Includes bibliographical references and index.
Introduction -- 100 Ideas that Changed Film -- Glossary -- Further Reading -- Index -- Picture Credits -- Acknowledgements.
Introduction -- 100 ideas that changed film : Magic lanterns ; Persistence of vision ; The kinetoscope ; The cinmatographe ; Projection ; Trick films ; Close-ups ; Optical transitions ; Point-of-view shots ; Tracking shots ; Chase sequences ; Continuity editing ; Match shots ; Nickelodeons ; Film d'art ; Feature films ; Dream palaces ; Shooting scripts ; In-camera effects ; Serials ; Slapstick ; Stunts ; The star system ; Hollywood ; Movie Moguls ; Block booking ; The studio system ; Genre ; Presold sources ; Child stars ; Fan magazines ; The Oscars ; Monochrome ; Process shots ; Artificial lighting ; Expressionism ; The narrative avant-garde -- Film schools ; Montage ; Typage ; Surrealism ; Experimental cinema ; Sound ; Musical scores ; Dubbing ; Subtitles ; Newsreels ; Censorship ; Propaganda ; Poetic realism ; Studio realism B movies ; Series ; Shorts ; Animation ; Models Neorealism ; Flashbacks ; Voice-over ; Film noir ; The Blacklist ; Method acting ; Television ; The Academy ratio ; Color ; 3-D ; Coproduction ; Epics ; Exploitation ; Trailers ; Safety film ; The Cinmathque Franaise ; Cannes ; Criticism ; Mise en scne ; Offscreen space ; Auteur theory ; Handheld camera ; Cinma vrit ; Free cinema ; Third cinema ; Zoom ; Road movies ; Blaxploitation ; Pornography ; Feminist film theory ; Blockbusters ; Effects makeup ; Kidpics ; Teenpics ; Sequels ; Remakes ; Multiplexes ; Video ; Home entertainment ; US independent cinema ; Queer cinema ; Heritage films ; Digital video ; Computer-generated imagery.
This inspiring book chronicles the most influential ideas that have shaped film since its inception. Entertaining and intelligent, it provides a concise history as well as being a fascinating resource.
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