Sound technology and the American cinema : perception, representation, modernity / James Lastra.
Material type:
- 9780231115179 (paper : alk. paper)
- 0231115172 (paper : alk. paper)
- 0231115164 (cloth : alk. paper)
- 9780231115162 (cloth : alk. paper)
- 791.43/09
- PN 1995.7 L349s 2000
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|---|---|
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.7 L349s 2000 (Browse shelf(Opens below)) | 1 | Available | 00000120680 |
Includes bibliographical references (p. [223]-263) and index.
1. Inscriptions and Simulations: The Imagination of Technology 2. Performance, Inscription, Diegesis: The Technological Transformation of Representational Causality 3. Everything But the Kitchen Sync: Sound and Image Before the Talkies 4. Sound Theory 5. Standards and Practices: Aesthetic Norm and Technological Innovation in the American Cinema 6. Sound Space and Classical Narrative
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. James Lastra argues that these technologies allow us to track the links between capital, science, and cultural practices.
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