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Directing fiction / Robert Edgar-Hunt.

By: Material type: TextTextLanguage: English Series: Basics film-making ; 03.Publication details: Lausanne : AVA Academia ; La Vergne, TN : Distributed in the USA & Canada by Ingram Publisher Services, 2010.Description: 183 p. : ill. (chiefly color) ; 23 cmISBN:
  • 9782940411009
Subject(s): DDC classification:
  • 791.43
LOC classification:
  • PN 1995.9 E23d 2010
Contents:
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business?; The production team; Theories and their application; Directing: The vision; Avoiding Alan Smithee; Exercises. Pre-production: The pre-production team; Working with script; Case study: Peter Hunt; Image composition; Storyboards; Locations; Casting; Cast study: Mike Leigh; Rehearsing actors; Mark Herman interview; Exercises. Production: The production team; Case study: Robert Rodriguez; The director as artist; Working with sound and image; Setting the shot; Case study: Martin Scorsese; Production equipment; Production effects; Working on location; The first assistant director; Working with actors; Non-professional actors; Reviewing your material; Mark Herman interview; Exercise. Post-production: The post-production team; Editing systems; The grammar of the edit; Case study: Sergei Eisenstein; Sound and music; The finishing touches; Exhibition and distribution; Case study: Miles Watts; Consent, clearance and copyright; Mark Herman interview; Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
Summary: Introduces the essential aspects of the directorial process, focusing on the requirements of short films. This book looks at the balancing act of art and business, offering guidelines and basic principles. It also covers the three key stages of the film-making process - pre-production, production and postproduction.
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995.9 E23d 2010 (Browse shelf(Opens below)) 1 1 Available 00000114936
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PN 1995.9 E16h 2010 The Hollywood war film / PN 1995.9 E19d 2012 Documentary filmmakers handbook / PN 1995.9 E23b 2015 Bases del cine : dirección / PN 1995.9 E23d 2010 Directing fiction / PN 1995.9 E23l 2011 El lenguaje cinematográfico / PN 1995.9 E24p 1990 Principios de cine documental / PN 1995.9 E26n 1985 The international film poster /

Includes bibliographical references

How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business?; The production team; Theories and their application; Directing: The vision; Avoiding Alan Smithee; Exercises. Pre-production: The pre-production team; Working with script; Case study: Peter Hunt; Image composition; Storyboards; Locations; Casting; Cast study: Mike Leigh; Rehearsing actors; Mark Herman interview; Exercises. Production: The production team; Case study: Robert Rodriguez; The director as artist; Working with sound and image; Setting the shot; Case study: Martin Scorsese; Production equipment; Production effects; Working on location; The first assistant director; Working with actors; Non-professional actors; Reviewing your material; Mark Herman interview; Exercise. Post-production: The post-production team; Editing systems; The grammar of the edit; Case study: Sergei Eisenstein; Sound and music; The finishing touches; Exhibition and distribution; Case study: Miles Watts; Consent, clearance and copyright; Mark Herman interview; Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.

Introduces the essential aspects of the directorial process, focusing on the requirements of short films. This book looks at the balancing act of art and business, offering guidelines and basic principles. It also covers the three key stages of the film-making process - pre-production, production and postproduction.

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