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Introduction to documentary / Bill Nichols.

By: Material type: TextTextPublication details: Bloomington : Indiana University Press, 2010.Edition: 2nd edDescription: xviii, 341 p. : ill. ; 24 cmISBN:
  • 9780253355560 (cloth : alk. paper)
  • 0253355567 (cloth : alk. paper)
  • 9780253222602 (pbk. : alk. paper)
  • 0253222605 (pbk. : alk. paper)
Subject(s): DDC classification:
  • 070.1
LOC classification:
  • PN 1995.9 N616i 2010
Contents:
Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995.9 N616i 2010 (Browse shelf(Opens below)) 1 1 Available 00000107713
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1995.9 N562d 2001 Digital filmmaking 101 / PN 1995.9 N597n 1999 99 film scenes for actors / PN 1995.9 N616i 2001 Introduction to documentary / PN 1995.9 N616i 2010 Introduction to documentary / PN 1995.9 N616i 2017 Introduction to documentary / PN 1995.9 N616r 1991 Representing reality : issues and concepts in documentary / PN 1995.9 N714e 2009 La prueba de lo real en la pantalla : ensayo sobre lo principio de realidad documental /

Includes bibliographical references, filmography and index.

Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?

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