The films of Alfred Hitchcock / David Sterritt.

By:

Sterritt, David

Material type: Text

TextSeries: Cambridge film classicsPublication details: Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1993.Description: vii, 165 p. : ill. ; 24 cmISBN:

0521391334
0521398142 (pbk.)

Subject(s):

DDC classification:

791.430233092

LOC classification:

PN 1998.3 S839f 1993

Contents:

Blackmail -- Shadow of a Doubt -- The Wrong Man -- Vertigo -- Psycho -- The Birds.

Summary: "Alfred Hitchcock is one of the few filmmakers to combine a strong reputation for high-art filmmaking with great mass-audience popularity. This introduction to his oeuvre provides an overview of a long and prolific career. David Sterritt examines, among other issues, the varied influences on his work; the themes that run through many of his films; the overlooked importance of his presence within his films, including his famous cameo appearances and the characters who "represent" him within the story; his fascination with performance and the ambiguities of illusion and reality; and the question of viewing the filmmaker and his work through the auteur theory. Also discussed is the relationship between Hitchcock as a serious, even tormented, artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Sterritt then provides in-depth analysis of key Hitchcock films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favorites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood films."--Jacket

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Vol info	Copy number	Status	Date due	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1998.3 S839f 1993 (Browse shelf(Opens below))	1	1	Available		00000095689

Includes filmography.

Includes bibliographical references (p. 148] and index.

Blackmail -- Shadow of a Doubt -- The Wrong Man -- Vertigo -- Psycho -- The Birds.

"Alfred Hitchcock is one of the few filmmakers to combine a strong reputation for high-art filmmaking with great mass-audience popularity. This introduction to his oeuvre provides an overview of a long and prolific career. David Sterritt examines, among other issues, the varied influences on his work; the themes that run through many of his films; the overlooked importance of his presence within his films, including his famous cameo appearances and the characters who "represent" him within the story; his fascination with performance and the ambiguities of illusion and reality; and the question of viewing the filmmaker and his work through the auteur theory. Also discussed is the relationship between Hitchcock as a serious, even tormented, artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Sterritt then provides in-depth analysis of key Hitchcock films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favorites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood films."--Jacket

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