It don't worry me : the revolutionary American films of the seventies / Ryan Gilbey.
Material type:
- 057121486X
- 9780571214860
- 791.4302/33/092273
- PN 1993.5 G466n 2003
Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN1993.5.U6 G496 2003 (Browse shelf(Opens below)) | 3 | Available | 00000065982 |
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PN1993.5.U6 C569g 1988 Les grands tháemes du cinéma américain / | PN1993.5.U6 C57 2002 The movies that changed us : reflections on the screen / | PN1993.5.U6 C628 2005 Diccionario de la caza de brujas : las listas negras en Hollywood / | PN1993.5.U6 G496 2003 It don't worry me : the revolutionary American films of the seventies / | PN 1993.5.U6 J17s 2015 Studios before the system : architecture, technology, and the emergence of cinematic space / | PN 1993.5.U6 K52i 2009 Indiewood, USA : where Hollywood meets independent cinema / | PN1993.5.U6 M621 1982 The academy awards : a pictorial history / |
Includes bibliographical references (p. [241]-245) and index.
Francis Ford Coppola -- George Lucas -- Steven Spielberg -- Terrence Malick -- Brian De Palma -- Robert Altman -- Stanley Kubrick -- Woody Allen -- Jonathan Demme -- Martin Scorsese.
"The 1970s were a golden age for US film-making, with the emergence of such talents as Martin Scorsese, Francis Ford Coppola, Steven Spielberg, George Lucas, Brian De Palma and Robert Altman. Ryan Gilbey now looks afresh at the remarkable movies of this era, and the gifted men who made them." "Today these directors are sometimes lambasted as sell-outs or burn-outs, but their finest films in the 1970s - from American Graffiti to The Conversation, Nashville to Carrie, Jaws to Taxi Driver - still appear as urgent and innovative as they did on first release, and continue to inspire young film-makers at a time when Hollywood movies are once again sadly formulaic." "These directors were characterized by eclecticism, creative hunger and insatiable imagination. But what in the American scene were they reacting against? Just as crucially, what was it they were celebrating? Why have their movies endured? And why do they still dazzle us?" "Gilbey also considers directors who established a body of work in the 1970s (Woody Allen), who blossomed as the decade progressed (Jonathan Demme) or who were prominent figures without being prolific (Stanley Krubrick, Terrence Malick). He takes each film and assesses its place in history, while also scrutinizing its virtues as if for the very first time - as if the movie was opening at a cinema near you this Friday."--Jacket.
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