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Cavell on film / edited and with an introduction by William Rothman.

By: Contributor(s): Material type: TextTextLanguage: Eng Series: SUNY series, horizons of cinemaPublication details: Albany : State University of New York Press, 2005.Description: xxvii, 399 p. : ill. ; 23 cmISBN:
  • 0791464318 (alk. paper)
  • 0791464326 (pbk. : alk. paper)
Subject(s): DDC classification:
  • 791.43/01 22
LOC classification:
  • PN1995 .C396 2005
Contents:
What becomes of things on film? (1978) -- On Makavejev on Bergman (1979) -- North by northwest (1981) -- The fact of television (1982) -- The thought of movies (1983) -- What (good) is a film museum? What is a film culture? (1983) -- What photography calls thinking (1985) -- A Capra moment (1985) -- The fantastic of philosophy (1986) -- Two cheers for romance (1988) -- The advent of videos (1988) -- Prenom : Marie (1993) -- Nothing goes without saying : reading the Marx brothers (1994) -- Seasons of love : Bergman's Smiles of a summer night and The winter's tale (1994) -- Words of welcome (1996) -- Groundhog day (1996) -- Something out of the ordinary (1996) -- The world as things : collecting thoughts on collecting (1998) -- Concluding remarks presented at Paris Colloquium on La projection du monde (1999) -- On Eric Rohmer's A tale of winter (1999) -- The image of the psychoanalyst in film (2000) -- Opera in (and as) film (2000) -- Philosophy the day after tomorrow (2000) -- The good of film (2000) -- Moral reasoning : teaching from the core (2001) -- Crossing paths (2002) -- After half a century (2001)
Summary: "This extensive collection offers a substantially complete retrospective of Stanley Cavell's previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN1995 .C396 2005 (Browse shelf(Opens below)) 4 1 Available 00000111815
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1995 C338t 2005 Teorías del cine : 1945-1990 / PN 1995 C338t 2008 Les théories du cinéma depuis 1945 / PN 1995 C378w 1979 The world viewed : reflections on the ontology of film / PN1995 .C396 2005 Cavell on film / PN 1995 C414c 2009 Cinéma et philosophie / PN 1995 C434 1985 The 1950s ; neo-realism, Hollywood, new wave / PN 1995 C492e 2010 Estética del cine /

Includes bibliographical references and index.

What becomes of things on film? (1978) -- On Makavejev on Bergman (1979) -- North by northwest (1981) -- The fact of television (1982) -- The thought of movies (1983) -- What (good) is a film museum? What is a film culture? (1983) -- What photography calls thinking (1985) -- A Capra moment (1985) -- The fantastic of philosophy (1986) -- Two cheers for romance (1988) -- The advent of videos (1988) -- Prenom : Marie (1993) -- Nothing goes without saying : reading the Marx brothers (1994) -- Seasons of love : Bergman's Smiles of a summer night and The winter's tale (1994) -- Words of welcome (1996) -- Groundhog day (1996) -- Something out of the ordinary (1996) -- The world as things : collecting thoughts on collecting (1998) -- Concluding remarks presented at Paris Colloquium on La projection du monde (1999) -- On Eric Rohmer's A tale of winter (1999) -- The image of the psychoanalyst in film (2000) -- Opera in (and as) film (2000) -- Philosophy the day after tomorrow (2000) -- The good of film (2000) -- Moral reasoning : teaching from the core (2001) -- Crossing paths (2002) -- After half a century (2001)

"This extensive collection offers a substantially complete retrospective of Stanley Cavell's previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their

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