Roman Polanski / F. X. Feeney ; Paul Duncan, ed.
Material type:
- 3822825425 (pbk.)
- 9783822825426 (pbk.)
- 791.43/092
- PN 1998.3 P762F 2006
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1998.3 P762F 2006 (Browse shelf(Opens below)) | 1 | Available | 00000073761 |
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PN 1998.3 P438p 2007 Pilar Miró : directora de cine / | PN 1998.3 P559g 2004 Godfather : the intimate Francis Ford Coppola / | PN 1998.3 P712c 2017 La crítica cinematográfica de Ángel Fernández-Santos / | PN 1998.3 P762F 2006 Roman Polanski / | PN 1998.3 P762m 2018 Memorias / | PN 1998.3 P785e 2004 An eye for Hitchcock / | PN 1998.3 R481t 2007 De traidores y heroes : el cine de Costa Gravas / |
Includes bibliographical references and filmography (p.188-191).
Roman Polanski's ability to wring laughter from the most degrading heartbreaks will carry the same wealth of healthy shocks in a hundred years. He creates a macabre beauty to be wooed by and wondered at. But behind the laughter and the beauty is the ghostly truth that Polanski was orphaned by the Nazis and wandered Poland alone from ages 9 to 13. Consider the isolated intensity that bridges Knife in the Water, Cul de Sac, Rosemary's Baby, Chinatown, Death and the Maiden and his Oscar-winning masterpiece The Pianist. In each, the omniscient viewpoint feels ?childlike? in the least innocent sense: we listen and watch, ever-wary; the truth of what's been hidden, or is being planned in secret, is always a matter of life and death; one's survival (even within the playful confines of a fantasy) depends on not missing so much as one detail. This book has been made with full access to Roman Polanski's archives.
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