American plays and musicals on screen : 650 stage productions and their film and television adaptations / Thomas S. Hischak.
Material type:
- 0786495545
- 9780786495542
- American drama -- Film adaptations
- American drama -- Television adaptations
- Musicals -- United States -- Film adaptations
- Musicals -- United States -- Television adaptations
- Motion picture plays, American -- History and criticism
- Theater -- United States
- Film adaptations -- History and criticism
- Television adaptations -- History and criticism
- 791.43
- PS 338. H673a 2014
Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Status | Date due | Barcode |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PS 338. H673a 2014 (Browse shelf(Opens below)) | 3 | Available | 00000117816 |
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PS 323.5 R455p 1975 La poesía norteamericana en el Siglo XX / | PS 324 P745 1969 El poeta contemporáneo como crítico y artista : ocho simposios / | PS 325 N425p 1984 Poetas norteamericanos de hoy / | PS 338. H673a 2014 American plays and musicals on screen : 650 stage productions and their film and television adaptations / | PS 351 A159r 1995 The romance reader / | PS 351 J85n 1971 El nuevo teatro norteamericano / | PS 351 P844m 1972 El mito y el teatro Norteamericano moderno / |
As the popularity of film grew and audiences demanded longer stories, Hollywood began borrowing plots as well as actors and directors from Broadway - some of these play-to-films were triumphs and others were inexplicable duds. This reference work is an annotated guide to American stage productions remade for film and television, with works ranging from late 19th-century American plays and musicals, through silent and sound films, to made-for-video productions by PBS, A & E, HBO, and others. Each alphabetically listed entry provides complete credits for the play or musical: date, theatre, playwright, cast (with characters) and crew, length of run, along with choreographer, song titles, and authors of the score where available. The screen versions follow, listing alternate titles, date, studio, screenwriter, cast (with characters), director, and producer. Each entry concludes with detailed commentary on the productions; it describes what changes occurred between the formats, determines the strengths and weaknesses of each, judges the success of the transition, and describes how the end product was received. A bibliography and name and title indexes complete this cross-referenced work.
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