New uses of Bourdieu in film and media studies / edited by Guy Austin. - vi, 174 pages ; 24 cm

Based on a symposium held at Newcastle University's Research Centre in Film and Digital Media in late 2012.

Includes bibliographical references and index.

List of Tables and Figures Introduction: Bourdieu on Media and Film Chapter 1. Bourdieu, Field of Cultural Production and Cinema: Illumination and Blindspots Bridget Fowler Chapter 2. Bourdieu and Film Studies: Beyond the Taste Agenda Chris Cagle Chapter 3. Bourdieu and Images of Algerian Women's Emotional Habitus Sophie Belot Chapter 4. The Taste Database: Taste Distinctions in Online Film Eileen Culloty Chapter 5. Millennials Protest: Hipsters, Privilege, and Homological Obstruction Anthony P. McIntyre Chapter 6. A Bourdieuan Approach to Internet Studies: Rethinking Digital Practice Richenda Herzig Chapter 7. Obtain and Deploy: Mobile Media Technologies as Tools for Distinction and Capital Justin Battin Chapter 8. Weak (Cultural) Field: A Bourdieuian Approach to Social Media Antonio Di Stefano Index

French sociologist Pierre Bourdieu's work has been extremely influential, but has only intermittently been used to study cinema and new media. With topics ranging from photography to mobile technology, this collection demonstrates the enormous relevance that Bourdieu holds for the field of media studies.

9781785338298 (paperback : alk. paper) 1785338293 (paperback : alk. paper)


Bourdieu, Pierre, 1930-2002 --Crítica e interpretación


Motion pictures--Congresses.
Mass media--Congresses.
Cine --Congresos, conferencias, etc.
Medios de comunicación --Congresos, conferencias, etc.
Influencia (Literaria, artística, etc.)

PN 1994 / N532 2018

791.43015