Theories of modern art; a source book by artists and critics
[by] Herschel B. Chipp [with] contributions by Peter Selz and Joshua C. Taylor.
- Berkeley, University of California Press, 1968.
- xv, 664 p. illus., ports. 26 cm.
- California studies in the history of art, 11 .
Bibliography: p. 627-651.
GENERAL INTRODUCTION --- I. POST-IMPRESSIONISM: Individual Paths to Construction and Expression. 1. Introduction: The Letters of Cézanne -- 2. Paul Cézanne: Excerpts from the Letters -- 3. Introduction: The Letters of van Gogh -- 4. Vincent van Gogh: Excerpts from the Letters --- II. SYMBOLISM AND OTHER SUBJECTIVIST TENDENCIES: Form and the Evocation of Feeling. 5. Introduction: Gauguin and Other Subjectivists -- 6. Paul Gauguin: Synthetist Theories -- 7. Gauguin: On His Paintings -- 8. Gauguin: On Primitivism -- 9. Symbolist Theories --- III. FAUVISM AND EXPRESSIONISM: The Creative Intuition. 10. Introduction by Peter Selz -- 11. Fauvism -- 12. Expressionism --- IV. CUBISM: Form as Expression. 13. Introduction --- V. FUTURISM: Dynamism as the Expression of the Modern World. 14. Introduction by Joshua C. Taylor --- VI. NEOPLASTICISM AND CONSTRUCTIVISM: Abstract and Nonobjective Art. 15. Introduction --- VII. DADA, SURREALISM, AND SCUOLA METAFISICA: The Irrational and the Dream. 16. Introduction: Dada and Surrealism -- 17. Dada -- 18. Surrealism -- 19. Introduction: Scuola Metafisica by Joshua C. Taylor --- VIII. ART AND POLITICS: The Artist and the Social Order. 20. Introduction by Peter Selz --- IX. CONTEMPORARY ART: The Autonomy of the Work of Art. 21. Introduction: The Americans -- 22. Introduction: The Europeans --- APPENDIX.
9780520052567
68012038
20150400 Art, Modern--History.--19th century Art, Modern--History.--20th century Art, Modern--20th century.