Vaughan, Hunter. <br/><br/>
Where film meets philosophy :  Godard, Resnais, and experiments in cinematic thinking / 
Hunter Vaughan. 
 - x, 244 pages :  illustrations ;  24 cm. 
 - Film and culture .
<br/><br/>Includes bibliographical references (pages 229-238) and index. 
<br/><br/>Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead. 
<br/><br/> Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel. 
<br/><br/><label>ISBN: </label>9780231161329 (cloth : acid-free paper) 9780231161336 (pbk.) 
<br/><br/><label>LCCN: </label>2012039151 
<br/><br/><label>Subjects--Personal Names: </label><br/>Godard, Jean-Luc, 1930- --Criticism and interpretation.<br/>Resnais, Alain, 1922-2014 --Criticism and interpretation.<br/>Godard, Jean Luc, 1930- --Crítica e interpretación.<br/>Resnais, Alain, 1922-2014 --Crítica e interpretación.
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures--Philosophy.<br/>Cine--Estética.<br/>Filosofía del arte.<br/>Cine--Historia y crítica.<br/>Industria cinematográfica--Filosofía.
<br/><br/><label>LC Class. No.: </label>PN 1995  / V364w  2013 
<br/><br/><label>Dewey Class. No.: </label>791.4301