Francis Ford Coppola's Godfather trilogy / 
edited by Nick Browne 
 - Cambridge :   Cambridge University Press,  2000       
 - xiv, 191 pages :   ilustrations ;   24 cm. 
 - The Cambridge University Press film handbooks series .
 - Cambridge film handbooks series .
<br/><br/>Filmography: pages 157-166.<br/> Includes bibliographical references (page 183) and index. 
<br/><br/>Acknowledgements; List of contributors; Fearful a-symmetries: violence as history in the Godfather films Nick Browne; 1. If history has taught us anything ... Francis Coppola, Paramount Studios, and The Godfather Parts I, II and III Jon Lewis; 2. The Godfather and the mythology of Mafia Alessandro Camon; 3. The representation of ethnicity in The Godfather Vera Dika; 4. Ideology and genre in the Godfather films Glenn Man; 5. Family ceremonies: or, opera in The Godfather trilogy Naomi Greene; Filmography; Reviews of the 'Godgather' trilogy; Select bibliography; Index. 
<br/><br/> Among the most elaborate examples of crime film, the films in The Godfather trilogy provide a complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is reexamined from a variety of perspectives. 
<br/><br/><label>ISBN: </label>0521559202 (pbk.) 9780521559508 (pbk.) 
<br/><br/><label>Subjects--Personal Names: </label><br/>Coppola, Francis Ford,  1939-  --Crítica e interpretación
<br/><br/><label>Subjects--Uniform Titles: </label><br/>El padrino (Película cinematográfica) 
<br/><br/><label>LC Class. No.: </label>PN 1997   / F819 2000