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Shakespeare's tragedies / Clare R. Kinney.

By: Contributor(s): Material type: TextTextSeries: Great courses | The great courses | The Great CoursesPublication details: Chantilly, Va. : Teaching Co., c2007.Description: 2 v. ; 21 cmISBN:
  • 1598033093
  • 9781598033090
Uniform titles:
  • The Great Courses
Subject(s): DDC classification:
  • 370
LOC classification:
  • LB 14.6 K55s 2007
Contents:
v. 1. Lecture 1: Defining tragedy -- Lecture 2: Shakespearean tragedy in context -- Lecture 3: Hamlet I -- "Stand and unfold yourself" -- Lecture 4: Hamlet II -- The performance of revenge -- Lecture 5: Hamlet III -- Difficult women -- Lecture 6: Hamlet IV -- Uncontainable Hamlet -- Lecture 7: Othello I -- Miscegenation and mixed messages -- Lecture 8: Othello II -- Monstrous births -- Lecture 9: Othello III -- "Ocular proof" -- Lecture 10: Othello IV -- Tragic knowledge -- Lecture 11: King Lear I -- Kingship and kinship -- Lecture 12: King Lear II -- "Unaccommodated man." v. 2. Lecture 13: King Lear III -- The stage of fools -- Lecture 14: King Lear IV -- "Is this the promised end?" -- Lecture 15: Macbeth I -- Desire and equivocation -- Lecture 16: Macbeth II -- "Dispute it like a man" -- Lecture 17: Macbeth III -- Bloody babes and bloody ends -- Lecture 18: Antony and Cleopatra I -- Epic desires -- Lecture 19: Antony and Cleopatra II -- Identity politics -- Lecture 20: Antony and Cleopatra III -- The art of dying -- Lecture 21: Coriolanus I -- The loner and the mob -- Lecture 22: Coriolanus II -- The theater of politics -- Lecture 23: Coriolanus III -- Mothers and killers -- Lecture 24: Conclusion -- Beyond tragedy?
Summary: Shakespeare's contributions to stage and language are unequaled. In what Professor Clare R. Kinney calls the "power and audacity of his poetry and stagecraft," Shakespeare has left audiences breathless these past four centuries.
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) LB 14.6 K55s 2007 (Browse shelf(Opens below)) v.1 1 Available 00000137027
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) LB 14.6 K55s 2007 (Browse shelf(Opens below)) v.2 1 Available 00000137028

Course no. 2752.

"Lecture transcript and course guidebook"--Cover.

v. 1. Lecture 1: Defining tragedy -- Lecture 2: Shakespearean tragedy in context -- Lecture 3: Hamlet I -- "Stand and unfold yourself" -- Lecture 4: Hamlet II -- The performance of revenge -- Lecture 5: Hamlet III -- Difficult women -- Lecture 6: Hamlet IV -- Uncontainable Hamlet -- Lecture 7: Othello I -- Miscegenation and mixed messages -- Lecture 8: Othello II -- Monstrous births -- Lecture 9: Othello III -- "Ocular proof" -- Lecture 10: Othello IV -- Tragic knowledge -- Lecture 11: King Lear I -- Kingship and kinship -- Lecture 12: King Lear II -- "Unaccommodated man." v. 2. Lecture 13: King Lear III -- The stage of fools -- Lecture 14: King Lear IV -- "Is this the promised end?" -- Lecture 15: Macbeth I -- Desire and equivocation -- Lecture 16: Macbeth II -- "Dispute it like a man" -- Lecture 17: Macbeth III -- Bloody babes and bloody ends -- Lecture 18: Antony and Cleopatra I -- Epic desires -- Lecture 19: Antony and Cleopatra II -- Identity politics -- Lecture 20: Antony and Cleopatra III -- The art of dying -- Lecture 21: Coriolanus I -- The loner and the mob -- Lecture 22: Coriolanus II -- The theater of politics -- Lecture 23: Coriolanus III -- Mothers and killers -- Lecture 24: Conclusion -- Beyond tragedy?

Shakespeare's contributions to stage and language are unequaled. In what Professor Clare R. Kinney calls the "power and audacity of his poetry and stagecraft," Shakespeare has left audiences breathless these past four centuries.

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