Defining cinema / edited and with an introduction by Peter Lehman.

Contributor(s):

Lehman, Peter, 1944-

Material type: Text

TextLanguage: English Series: Rutgers depth of field seriesPublication details: New Brunswick, N.J. : Rutgers University Press, 1997.Description: viii, 216 pages ; 24 cmISBN:

0813523028 (pbk. : alk. paper)
9780813523026 (pbk. : alk. paper)

Subject(s):

DDC classification:

791.43/01

LOC classification:

PN 1995 D313 1997

Contents:

Introduction : what is film theory? / Peter Lehman The montage of film attractions / Sergei M. Eisenstein Eisenstein and Soviet cinema / Vance Kepley Jr The evolution of the language of cinema / André Bazin André Bazin's "Evolution" / Dudley Andrew Basic concepts / Siegfried Kracauer Kracauer's theory of film / Noël Carroll "Spatial and temporal articulations" and "Editing as a plastic art" Noël Burch To zero and beyond : Noël Burch's Theory of film practice / Edward Branigan "Identification, mirror" and "The passion for perceiving" / Christian Metz Christian Metz / Robert T. Eberwein

Summary: Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch's theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field.

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Copy number	Status	Date due	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1995 D313 1997 (Browse shelf(Opens below))	1	Available		00000138317

Includes bibliographical references (p. 205-206) and index.

Introduction : what is film theory? / Peter Lehman
The montage of film attractions / Sergei M. Eisenstein
Eisenstein and Soviet cinema / Vance Kepley Jr
The evolution of the language of cinema / André Bazin
André Bazin's "Evolution" / Dudley Andrew
Basic concepts / Siegfried Kracauer
Kracauer's theory of film / Noël Carroll
"Spatial and temporal articulations" and "Editing as a plastic art" Noël Burch
To zero and beyond : Noël Burch's Theory of film practice / Edward Branigan
"Identification, mirror" and "The passion for perceiving" / Christian Metz
Christian Metz / Robert T. Eberwein

Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch's theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field.

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