Tender comrades : a backstory of the Hollywood blacklist / Patrick McGilligan and Paul Buhle ; photographs by Alison Morley and William B. Winburn.
Material type:
- 0312170467
- 9780312170462
- Blacklisting of entertainers -- United States
- Lista negra de artistas -- Estados Unidos
- Blacklisting of authors -- United States
- Entertainers -- United States -- Interviews
- Authors -- United States -- Interviews
- Artistas -- Estados Unidos -- Entrevistas
- Autores -- Estados Unidos -- Entrevistas
- Communism -- United States
- 331.89/4
- PN 1590 M478t 1997
Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|---|---|
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1590 M478t 1997 (Browse shelf(Opens below)) | 1 | Available | 00000193132 |
Includes bibliographical references and index.
In October of 1947, The House Un-American Activities Committee launched hearings in Washington, D.C., to investigate Communist influence in the motion picture industry. Writers, actors, directors, and other industry figures were called before HUAC and commanded to "name names": to save themselves by betraying their colleagues. In what amounted to a signal instance of cultural repression, those who defied HUAC were shouted down - and marked down on lists that ruined their lives and careers. And they have never been given their full chance to speak ... until now. In the pages of Tender Comrades, thirty-six blacklist survivors tell their life stories. Together their voices form a unique collection of Hollywood profiles in courage. For years before 1947, a close-knit left-wing and liberal community had thrived in Hollywood, taking stands on controversial issues and causes while making some of the finest films of the 1930s and 1940s. Hardly a circle bent on revolt, these individuals were, rather, committed to integrating their humanism into their lives and work. When they were blacklisted and driven from the industry - some into false identities, some out of the country altogether - the world of film suffered an immeasurable loss
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