Amazon cover image
Image from Amazon.com

Masterpieces of short fiction / Michael Krasny.

By: Contributor(s): Material type: TextTextSeries: Great courses | The great courses | The Great CoursesPublication details: Chantilly, Va. : Teaching Co., 2008.Description: 2 volumes ; 21 cmISBN:
  • 1598034413
  • 9781598034417
Uniform titles:
  • The Great Courses
Subject(s): DDC classification:
  • 370
LOC classification:
  • LB 14.6 K89m 2008
Contents:
v. 1. lecture 1. Excavations : Poe's "The cask of Amontillado" ; lecture 2. Hawthorne's "Goodman Brown" and lost faith ; lecture 3. Under Gogol's "Overcoat" ; lecture 4. Maupassant's "The necklace" : real and paste ; lecture 5. Chekhov, love, and "The lady with the dog" ; lecture 6. James in the art studio : "The real thing" -- lecture 7. Epiphany and the modern in Joyce's "Araby" ; lecture 8. Babel's "My first goose" : violent concision ; lecture 9. Male initiation : Hemingway's "The killers" ; lecture 10. Kafka's parable : "A hunger artist" ; lecture 11. Lawrence's blue-eyed "Rocking-horse winner" ; lecture 12. Female initiation : Mansfield's "Party." v. 2. lecture 13. Jackson's shocking vision in "The lottery" ; lecture 14. O'Connor's "A good man is hard to find" ; lecture 15. Paley on survival and "An interest in life" ; lecture 16. The "Enormous wings" of Garcia Marquez ; lecture 17. A new world fable : Malamud's "The Jewbird" ; lecture 18. Baldwin's "Sonny's blues" : a Harlem song -- lecture 19. Updike's "A & P" : the choice of gallantry ; lecture 20. Kingston's Warrior myth : "No name woman" ; lecture 21. Atwood's "Happy endings" as metafiction ; lecture 22. Gordimer's "Moment before" Apartheid fell ; lecture 23. Carver's "Cathedral" : a story that levitates ; lecture 24. Why short fiction masterpieces?
Summary: "This course takes you on an exciting ride through an itinerary that samples 23 of the world's greatest short stories. The form of the genre, as well as the various ways in which it has evolved, is highlighted along the way with a display of the essential nuts and bolts of storytelling-- plot, character, setting, style, point of view, and theme. A mix of critical approaches will also be brought in to enhance analysis and interpretation and to explore some of the ways we judge and evaluate short fiction
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) LB 14.6 K89m 2008 (Browse shelf(Opens below)) v.1 1 Available 00000137003
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) LB 14.6 K89m 2008 (Browse shelf(Opens below)) v.2 1 Available 00000137004

Course no. 2317.

"Lecture transcript and course guidebook"--Cover.

v. 1. lecture 1. Excavations : Poe's "The cask of Amontillado" ; lecture 2. Hawthorne's "Goodman Brown" and lost faith ; lecture 3. Under Gogol's "Overcoat" ; lecture 4. Maupassant's "The necklace" : real and paste ; lecture 5. Chekhov, love, and "The lady with the dog" ; lecture 6. James in the art studio : "The real thing" -- lecture 7. Epiphany and the modern in Joyce's "Araby" ; lecture 8. Babel's "My first goose" : violent concision ; lecture 9. Male initiation : Hemingway's "The killers" ; lecture 10. Kafka's parable : "A hunger artist" ; lecture 11. Lawrence's blue-eyed "Rocking-horse winner" ; lecture 12. Female initiation : Mansfield's "Party." v. 2. lecture 13. Jackson's shocking vision in "The lottery" ; lecture 14. O'Connor's "A good man is hard to find" ; lecture 15. Paley on survival and "An interest in life" ; lecture 16. The "Enormous wings" of Garcia Marquez ; lecture 17. A new world fable : Malamud's "The Jewbird" ; lecture 18. Baldwin's "Sonny's blues" : a Harlem song -- lecture 19. Updike's "A & P" : the choice of gallantry ; lecture 20. Kingston's Warrior myth : "No name woman" ; lecture 21. Atwood's "Happy endings" as metafiction ; lecture 22. Gordimer's "Moment before" Apartheid fell ; lecture 23. Carver's "Cathedral" : a story that levitates ; lecture 24. Why short fiction masterpieces?

"This course takes you on an exciting ride through an itinerary that samples 23 of the world's greatest short stories. The form of the genre, as well as the various ways in which it has evolved, is highlighted along the way with a display of the essential nuts and bolts of storytelling-- plot, character, setting, style, point of view, and theme. A mix of critical approaches will also be brought in to enhance analysis and interpretation and to explore some of the ways we judge and evaluate short fiction

There are no comments on this title.

to post a comment.