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The cinematic muse : critical studies in the history of French cinema / Allen Thiher.

By: Material type: TextTextLanguage: English Publication details: Columbia : University of Missouri Press, 1979.Description: vi, 216 p., [8] leaves of plates : ill. ; 23 cmISBN:
  • 0826202772
Subject(s): DDC classification:
  • 791.43
LOC classification:
  • PN 1993.5 T439c 1979
Contents:
[1.] The avant-garde: The impressionist avant-garde -- Surrealism's enduring bite: Un Chien andalou -- The surrealist film: Man Ray and the limits of metaphor -- Le Sang d'un Poéte: film as orphism -- [2.] In the wake of surrealism: From Entr'acte to a Nous la Liberté: René Clair and the order of farce -- Vigo's Zéro de conduite: surrealism and the myth of childhood -- [3.] Film and society: Jean Renoir and the mimesis of history -- Prévert and Carné's Le Jour se lève: proletarian tragedy -- [4.] Existentialist moment: Bresson's Un condamné à mort: the semiotics of grace -- The existential play in Truffaut's early films -- [5.] Postmodernism: L'Année dernière a Marienbad: the narration of narration -- Postmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle -- Afterword: Is film a language?
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1993.5 T439c 1979 (Browse shelf(Opens below)) 1 Available 00000120260

Includes index.

Bibliography: p. 207-214.

[1.] The avant-garde: The impressionist avant-garde -- Surrealism's enduring bite: Un Chien andalou -- The surrealist film: Man Ray and the limits of metaphor -- Le Sang d'un Poéte: film as orphism -- [2.] In the wake of surrealism: From Entr'acte to a Nous la Liberté: René Clair and the order of farce -- Vigo's Zéro de conduite: surrealism and the myth of childhood -- [3.] Film and society: Jean Renoir and the mimesis of history -- Prévert and Carné's Le Jour se lève: proletarian tragedy -- [4.] Existentialist moment: Bresson's Un condamné à mort: the semiotics of grace -- The existential play in Truffaut's early films -- [5.] Postmodernism: L'Année dernière a Marienbad: the narration of narration -- Postmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle -- Afterword: Is film a language?

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