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_d113010
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008 120409s2008 vau b 000 0 eng
010 _a 2011377509
020 _a1598034413
020 _a9781598034417
040 _aDLC
_cDLC
042 _apcc
050 0 0 _aLB 14.6
_bK89m 2008
082 _2370
100 1 _96329
_aKrasny, Michael Jay,
_d1944-
130 _96091
_aThe Great Courses
245 1 0 _aMasterpieces of short fiction /
_cMichael Krasny.
260 _aChantilly, Va. :
_bTeaching Co.,
_c2008.
300 _a2 volumes ;
_c21 cm.
440 _96419
_aGreat courses
490 0 _aThe great courses
500 _aCourse no. 2317.
500 _a"Lecture transcript and course guidebook"--Cover.
505 _av. 1. lecture 1. Excavations : Poe's "The cask of Amontillado" ; lecture 2. Hawthorne's "Goodman Brown" and lost faith ; lecture 3. Under Gogol's "Overcoat" ; lecture 4. Maupassant's "The necklace" : real and paste ; lecture 5. Chekhov, love, and "The lady with the dog" ; lecture 6. James in the art studio : "The real thing" -- lecture 7. Epiphany and the modern in Joyce's "Araby" ; lecture 8. Babel's "My first goose" : violent concision ; lecture 9. Male initiation : Hemingway's "The killers" ; lecture 10. Kafka's parable : "A hunger artist" ; lecture 11. Lawrence's blue-eyed "Rocking-horse winner" ; lecture 12. Female initiation : Mansfield's "Party." v. 2. lecture 13. Jackson's shocking vision in "The lottery" ; lecture 14. O'Connor's "A good man is hard to find" ; lecture 15. Paley on survival and "An interest in life" ; lecture 16. The "Enormous wings" of Garcia Marquez ; lecture 17. A new world fable : Malamud's "The Jewbird" ; lecture 18. Baldwin's "Sonny's blues" : a Harlem song -- lecture 19. Updike's "A & P" : the choice of gallantry ; lecture 20. Kingston's Warrior myth : "No name woman" ; lecture 21. Atwood's "Happy endings" as metafiction ; lecture 22. Gordimer's "Moment before" Apartheid fell ; lecture 23. Carver's "Cathedral" : a story that levitates ; lecture 24. Why short fiction masterpieces?
520 _a"This course takes you on an exciting ride through an itinerary that samples 23 of the world's greatest short stories. The form of the genre, as well as the various ways in which it has evolved, is highlighted along the way with a display of the essential nuts and bolts of storytelling-- plot, character, setting, style, point of view, and theme. A mix of critical approaches will also be brought in to enhance analysis and interpretation and to explore some of the ways we judge and evaluate short fiction
650 4 _aEducación
_91877
650 4 _aEnseƱanza
_96089
650 4 _aCuentos
_96330
710 2 _96101
_aTeaching Company
830 _96091
_aThe Great Courses
906 _a7
_bcbc
_corignew
_d2
_encip
_f20
_gy-gencatlg
942 _2lcc
_cBK