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020 _a9780415213547
020 _a0415213541
040 _bspa
_cBJBSDDR
041 _aeng
050 1 4 _aPN 1993.5
_bR438 2003
245 1 0 _aRethinking third cinema /
_cAnthony R Guneratne;
260 _aNew York :
_bRoutledge,
_c2003
300 _axii, 240 p. ;
_c24 cm
505 _aIntroduction Rethinking Third Cinema. Anthony R. Guneratne Third Cinema Theory and Beyond Beyond Third Cinema: The Aesthetics of Hybridity Robert Stam Challenging Third World Legacies: Issues of Gender, Culture and Representation Feminist Genealogies, Colonial Legacies, Democratic Futures Ella Shohat The Erotics of History: Gender and Transgression in the New Asian Cinemas Sumita Chakravarty Alternative Cinemas in the Age of Globalization Authorship, Globalization and the New Identity Politics of Latin American Cinema: From the Mexican 'Ranchera' to Argentinian 'Exile' Marvin D'lugo Video Booms and the Manifestations of 'First' Cinema in Anglophone Africa N. Frank Ukadike The Relocation of Culture: Social Specificity and the "Third" Question What's 'Oppositional' in Indonesian Cinema? Krishna Sen The Seductions of Homecoming: Place, Authenticity, and Chen Kaige's 'Temptress Moon' Rey Chow Receiving/Retrieving Third (World) Cinema: Alternative Approaches to Spectator Studies and Critical History Theorizing 'Third World' Spectatorship - The Case of Iran and Iranian Cinema Hamid Naficy Rethinking Indian Popular Cinema: Towards Newer Frames of Understanding Wimal Dissanayake
520 _aThe "Third Cinema" movement called for a politicised film-making in Africa, Asia and Latin America which would address issues of race, class, religion, and national integrity. This anthology addresses notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations.
650 4 _9817
_aPelículas
650 4 _920
_aCine
_zPaíses en desarrollo
700 1 _912618
_aGuneratne, Anthony R.
_eeditor
700 1 _912619
_aWimal, Dissanayake
_eeditor
942 _2lcc
_cBK
946 _idpf