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008 171214s2017 stka b 001 0 eng
010 _a 2017299734
020 _a9781474416849 (softcover)
020 _a1474416845 (softcover)
040 _aDLC
_beng
_cDLC
_erda
_dDLC
041 _aeng
042 _apcc
043 _an-us---
050 1 4 _aPN 1993.5
_bT998a 2017
082 0 0 _a791.430973
100 1 _aTzioumakis, Yannis,
_924185
_d1970-
245 1 0 _aAmerican independent cinema :
_ban introduction /
_cYannis Tzioumakis.
250 _a2nd edition.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c2017.
300 _axxiii, 328 pages :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aFirst edition published 2006.
504 _aIncludes bibliographical references (pages 300-313) and index.
505 0 _aIntroduction : problems of definition and the discourse of American independent cinema -- Part I. American independent cinema in the studio years (mid-1920s-late 1940s) -- 1. Independent filmmaking in the studio era : tendencies within the studio system -- 2. Independent filmmaking in the studio era : the poverty row studios (1930-50s) -- Part II. American independent cinema in the post-studio era (late 1940s-late 1960s) -- 3. Independence by force : the effects of the Paramount Decree on independent film production -- 4. An audience for the independents : exploitation films for the nation's youth -- Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The new Hollywood and the independent Hollywood -- 6. American independent cinema in the age of the conglomerates -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- 8. The institutionalisation of American independent cinema -- 9. American independent cinema in the age of media convergence -- Epilogue : from independent to 'specialty' cinema.
520 _aThis introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies. Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema. Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.
650 0 _aIndependent filmmakers
_zUnited States
_vCase studies.
650 4 _aCineastas independientes
_zEstados Unidos
_923864
650 0 _aIndependent films
_xEconomic aspects
_zUnited States.
650 4 _aCine independiente
_zEstados Unidos
_917882
650 0 _aIndependent films
_zUnited States
_xHistory and criticism.
650 0 _aMotion picture industry
_zUnited States
_xHistory
_y20th century.
650 4 _aIndustria cinematográfica
_xHistoria
_zEstados Unidos
_91514
650 4 _aCine
_xHistoria
_zEstados Unidos
_9912
650 4 _aDirectores y productores de cine
_zEstados Unidos
_911899
650 4 _aActores y actrices de cine
_xHistoria
_93205
651 4 _96959
_aHollywood (Estados Unidos)
_xHistoria
906 _a7
_bcbc
_corigres
_d2
_encip
_f20
_gy-gencatlg
942 _2lcc
_cBK