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| 001 | 22057466 | ||
| 003 | BJBSDDR | ||
| 005 | 20230411090814.0 | ||
| 006 | a|||||r|||| 00| 0 | ||
| 007 | ta | ||
| 008 | 210527s2021 nyu 000 0 eng | ||
| 010 | _a 2021940076 | ||
| 020 | _a9780999468388 (hardback) | ||
| 020 | _a0999468383 (hardback) | ||
| 040 |
_aDLC _beng _erda _cDLC |
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| 041 | _aeng | ||
| 042 | _apcc | ||
| 050 | 1 | 4 |
_aPN 1995 _bV878f 2021 |
| 082 | 0 | 0 | _a791.43/0909/35 |
| 100 | 1 |
_aVogel, Amos, _d1921-2012 _923951 |
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| 245 | 1 | 0 |
_aFilm as a subversive art / _cAmos Vogel ; Foreword Scott MacDonald |
| 264 | 1 |
_aNew York : _bFilm Desk Books, _c2021. |
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| 300 |
_a x, 336 pages : _billustrations ; _c26 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aOriginally published: London : Weidenfeld and Nicolson, 1974. A facsimile edition was published in 2005 by C.T. Editions Author's name from book jacket | ||
| 505 | _aEditorial foreword / Herb Shellenberger Introduction to the 2005 edition / Scott MacDonald Preface to the 2005 edition / Amos Vogel The film experience The world view of subversive cinema Part I. Weapons of subversion the subversion of form: The revolutionary film Avant-Garde in Soviet Russia Aesthetic rebels and rebellious clowns The destruction of time and space The destruction of plot and narrative The assault on montage The triumph and death of the moving camera The devaluation of language Straining towards the limits Part II. Weapons of subversion : the subversion of content: International left and revolutionary cinema The terrible poetry of Nazi cinema Secrets and revelations Part III. Weapons of subversion : forbidden subjects of the cinema: The power of the visual taboo The attack on puritanism : nudity The end of sexual taboos : erotic and pornographic cinema The end of sexual taboos : homosexuality and other variants The first mystery : birth The ultimate secret : death The attack on god : blasphemy and anti-clericalism Trance and witchcraft Part IV. Towards a new consciousness: Counterculture and Avant-Garde The subversion of subversion The eternal subversion | ||
| 520 |
_a"A classic returns! The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 40 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Art analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works"-- _cProvided by publisher. |
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| 650 | 4 |
_920 _aCine |
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| 700 | 1 |
_924664 _aMacDonald, Scott, _d1959- _eprologuista |
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| 906 |
_a0 _bibc _corignew _d2 _eepcn _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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