| 000 | 03185cam a2200457 i 4500 | ||
|---|---|---|---|
| 999 |
_c118167 _d118167 |
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| 001 | 22290420 | ||
| 003 | BJBSDDR | ||
| 005 | 20230411090901.0 | ||
| 006 | a|||||r|||| 00| 0 | ||
| 007 | ta | ||
| 008 | 211029s2017 enka bq 001 0deng c | ||
| 010 | _a 2021351383 | ||
| 020 | _a9781784537159 (paperback) | ||
| 020 | _a1784537152 (paperback) | ||
| 035 | _a(OCoLC)ocn967861357 | ||
| 040 |
_aERASA _beng _cERASA _erda _dOCLCO _dBDX _dCUI _dOBE _dUKUSW _dOCLCQ _dDLC |
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| 041 | _aeng | ||
| 042 | _apcc | ||
| 050 | 1 | 4 |
_aPN 1998.3 _bH236s 2017 |
| 100 | 1 |
_aHandyside, Fiona, _d1974- _926491 |
|
| 245 | 1 | 0 |
_aSofia Coppola : _ba cinema of girlhood / _cFiona Handyside. |
| 260 |
_aLondon; _bI.B. Tauris & Co. Ltd, _c2017. |
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| 264 | 1 |
_aLondon : _bI.B. Tauris & Co. Ltd, _c2017. |
|
| 300 |
_aix, 201 pages : _billustrations ; _c25 cm. |
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| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 490 | 1 |
_aInternational Library of the Moving Image ; _v39 |
|
| 504 | _aIncludes bibliographical references (pages 187-196), filmography (pages 197-198) and index. | ||
| 505 | 0 | 0 |
_tSofia Coppola: postfeminist [d]au[gh]te[u]r? -- _tLuminous girlhoods: sparkle and light in Coppola's films -- _t'There's no place like home!' the exploded home as postfeminist chronotope -- _tDressing up and playing about: costume and fashion -- _tConclusion: the agency of authorship. |
| 520 | 8 | _aShe has received numerous accolades including an Academy Award and two Golden Globes, and in 2004 became the first ever American woman to be nominated for a Best Director Oscar. From The Virgin Suicides to The Bling Ring, her work carves out new spaces for the expression of female subjectivity that embraces rather than rejects femininity. Fiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and the privileged - through their recurrent themes of girlhood, fame, power, sex and celebrity. Chapters reveal a post-feminist aesthetic that offers sustained, intimate engagements with female characters. These characters inhabit luminous worlds of girlish adornments, light and sparkle and yet find homes in unexpected places from hotels to swimming pools, palaces to strip clubs: resisting stereotypes and the ordinary. In this original study, Handyside brings critical attention to a rare female auteur and in so doing contributes to important analyses of post-feminism, authorship in film, and the growing field of girlhood studies. | |
| 600 | 1 | 0 |
_aCoppola, Sofia, _d1971- _xCriticism and interpretation. |
| 600 | 1 | 4 |
_aCoppola, Sofia Carmina, _d1971- _926493 _xCrÃtica e interpretación |
| 650 | 0 |
_aWomen motion picture producers and directors _zUnited States. |
|
| 650 | 4 |
_aMujeres directoras y productoras de cine _zEstados Unidos _926495 |
|
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635. |
|
| 830 | 0 |
_aInternational Library of the Moving Image ; _v39 _926494 |
|
| 906 |
_a7 _bcbc _cpccadap _d2 _encip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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