000			01921 a2200289 4500
999			_c118742 _d118742
003			BJBSDDR
005			20230805181416.0
007			ta
008			170223s2022 nyu||||| |||| 00| 0 eng d
020			_a9780231195973
020			_a0231195974
040			_beng _cBJBSDDR
041			_aeng
050	1	4	_aPN 1995.9 _bC965f 2022
100	1		_aCuevas Álvarez, Efrén
245	1	0	_aFilming history from below : _bmicrohistorical documentaries / _cEfrén Cuevas
260			_aNew York : _bWallflower, an imprint of Columbia University Press, _c2022
300			_aviii, 290 pages : _billustrations ; _c24 cm.
440		0	_aNonfictions
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : film and history 1. Microhistory and documentary film 2. The archive in the microhistorical documentary 3. Pťer Forgc̀s's home movie chronicle of the twentieth century : The Maelstrom, Free Fall, and Class Lot 4. The incarceration of Japanese Americans during World War II : Something Strong Within, A Family Gathering, From a Silk Cocoon, and History and Memory 5. Rithy Panh's autobiographical narrative of the Cambodian genocide : The Missing Picture 6. Identities and conflicts in Israel and Palestine : Israel: A Home Movie, For My Children, My Terrorist, My Land Zion, and A World Not Ours 7. The immigrant experience in Jonas Mekas's Lost, Lost, Lost Epilogue : Looking to the Future
520			_aIn recent decades, a type of historical documentary has emerged that focuses on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrň Cuevas categorizes these films as "microhistorical documentaries" and examines how they push cinema's capacity as a producer of historical knowledge in new directions
650		4	_919880 _aCine documental _xHistoria y crítica
650		4	_917845 _aHistoria en el cine
942			_2lcc _cBK
946			_idpf