000 02034cam a2200409 i 4500
001 17857118
003 BJBSDDR
005 20231120115715.0
007 ta
008 130819s2014 nyua 001 0 eng
010 _a 2013032103
020 _a9780240817910 (pbk.)
020 _a0240817915 (pbk.)
020 _z9780240817927 (ebook)
040 _aDLC
_beng
_cDLC
_erda
_dDLC
041 _aeng
042 _apcc
050 1 4 _aTR 860
_bS934d 2014
082 0 0 _a771
100 1 _aStump, David.
_932853
245 1 0 _aDigital cinematography :
_bfundamentals, tools, techniques, and workflows /
_cDavid Stump, ASC.
264 1 _aNew York :
_bFocal Press, Taylor & Francis Group,
_c2014.
300 _axxxiii, 459 pages :
_billustrations (mostly color) ;
_c24 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _aIncludes index.
505 0 _aForeword Camera sensors Color The color-space conundrum MTF, resolution, contrast and nyquist theory Frame rates and aspect ratios Lenses Camera issues High resolution digital motion picture cameras Camera setup and operation Prep, workflow design and testing The shoot Color management, compression & workflow Recorders Displays Post production and digital intermediate Delivering and archiving digital movies 3D stereo cinematography
520 _aWith the shift from film to digital, a new view of the future of cinematography has emerged. Stump focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story
650 0 _aDigital cinematography.
650 4 _aCinematografía digital
_92573
650 4 _aFotografía
_917130
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2lcc
_cBK
946 _ilmm
999 _c120239
_d120239