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007			ta
008			060616s2007 caua 000 0 eng
010			_a 2006020052
020			_a188495653X
020			_a9781884956539
040			_aDLC _cDLC _dDLC _beng
041			_aeng
050	1	4	_aPN 1996 _bD923e 2007
082	0	0	_a808.2/3
100	1		_aDunne, Peter, _d1943- _933643
245	1	0	_aEmotional structure, creating the story beneath the plot : _ba guide for screenwriters / _cPeter Dunne.
260			_aFresno, California : _bQuill Driver Books, _cc2007.
300			_a405 pages : _billustrations ; _c23 cm.
500			_aIncludes index.
505	0		_apt. 1. What writers write about and why 1. The writer's rulebook 2. Know your story, know your plot, know the difference 3. Character-driven plot or plot-driven character 4. Character and conscience 5. The four character levels pt. 2. Structure : not necessarily a necessary evil 6. A three act structure overview 7. The case for brevity 8. Beginning at the end 9. Choosing an emotional opening 10. Connecting the beginning to the end pt. 3. Emotional structure : the internal landscape 11. The journey through the middle 12. Creating the story's emotional environment 13. Barriers, roadblocks, broken legs, and old lovers 14. Connecting the internal and external themes pt. 4. Building blocks : step-by-step construction 15. Card tricks 16. The one-liner becomes the two-liner 17. Creating an emotional outline pt. 5. Writing the script 18. Writing the script: act one 19. Writing the scripts: act two, part one 20. Writing the script: act two, part two 21. Writing the script: act three The fish never knows the water 25 films every screenwriter should study
650		0	_aMotion picture authorship.
650		4	_aAutoría cinematográfica _931462
650		4	_aCine _xAutoría _96013
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0837/2006020052-d.html
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK
999			_c120452 _d120452