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| 005 | 20240722115433.0 | ||
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| 008 | 210930s2021 onca b 001 0 eng | ||
| 010 | _a 2021351175 | ||
| 015 |
_a20210228342 _2can |
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| 020 | _a1487509111 | ||
| 020 | _a9781487509118 | ||
| 035 | _a(OCoLC)on1242466705 | ||
| 040 |
_aNLC _beng _cYDX _erda _dBDX _dNLC _dYDX _dDLC |
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| 050 | 1 | 4 |
_aPN 1995.9 _bP438f 2021 |
| 082 | 0 | 4 | _a791.4302/60946 |
| 100 | 1 |
_aPérez, Jorge, _d1976- _937287 |
|
| 245 | 1 | 0 |
_aFashioning spanish cinema : _bcostume, identity, and stardom / _cJorge Pérez. |
| 264 | 1 |
_aToronto ; _aBuffalo ; _aLondon : _bUniversity of Toronto Press, _c2021. |
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| 300 |
_ax, 265 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 |
_aToronto Iberic series ; _v61 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aAcknowledgments Introduction: Fashion, Costume, and Spanish Cinema 1. Fashioning National Stars: Balenciaga and Spanish Cinema 2. Almodóvar and Chanel: High Fashion, Desire, and Identity 3. Men in Underwear in Spanish Cinema 4. Dressing the Immigrant Other 5. Self-Fashioning Stardom: The Red-Carpet Matters Conclusion: Fashioning Identity and Stardom | |
| 520 |
_a"Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies. Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion."-- _cProvided by publisher. |
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| 530 | _aIssued also in electronic formats. | ||
| 650 | 0 |
_aCostume design _zSpain. |
|
| 650 | 4 |
_aDiseño de vestidos _zEspaña _937428 |
|
| 650 | 0 |
_aMotion pictures _zSpain _xHistory. |
|
| 650 | 4 |
_aModa en el cine _zEspaña _937388 |
|
| 650 | 4 |
_aCine _xHistoria _zEspaña _91718 |
|
| 650 | 0 |
_aFashion design _zSpain. |
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| 650 | 4 |
_aDiseño de moda _zEspaña _937426 |
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| 776 | 0 | 8 |
_iOnline version: _aPérez, Jorge, 1976- _tFashioning Spanish cinema. _dToronto ; Buffalo ; London : University of Toronto Press, 2021 _z1487539738 _z9781487539740 _w(OCoLC)1252207060 |
| 830 | 0 |
_aToronto Iberic series ; _v61. _937425 |
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